1 10 157 https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/1475a24eb450a545f7891c64036de4a5.pdf?Expires=1773878400&Signature=PZ-Pyd8u9zMPYDiIoMlybmdvONIy%7Ex9HoeQGQ%7ETeqGRNtwRfR5ES1q7Xh4kfxHBs4tEGMEWTtU1sk47pB7m5Vf00sqKf9-yYTOF8wvYR-vvDr4U5jrzaCbOOwbdbHq-3-dQD42TdYCfJ2sL7HbPOtSIKxjnMLvFJ0QfywiaeN4%7EUyUpCA4ye4uERhMgYOcbWRr-7iEKvns2UI5Ay6EA1cqjeZDmapXRtcHSyrjzG-CE8on8axcOGTTiLRb4romREHDCwCWVyU5odIpY9xU24lsqwxHwszj1vVxyf5E3eTdAE%7EOqgwTihSAA6eEnkto6SfGtICdgE46WdIorXdRbv3A__&Key-Pair-Id=K6UGZS9ZTDSZM 8a6b33c1605b9ac38cc15719f3b088da PDF Text Text THE WEST 5EA TTLE A CLUB RT KATHERINE B. BAKER M~MORIA.L TEA JUNE I, 1q4Ji �KAT HER 1NE B. BAKER ME MOR I AL PURCHASE PR I ZES 1931 - •Still Life• 1932 - "Street• 1940 - "Modal Tides" Eugenia Worman 1941 - "Acapulco• Kenjiro Nomura 1933 - •Moor Swan• Mark Tobey Peter Camfferman 1942 - •Stayton Mill• Morris Graves Constance Fowler 1934 - "Burros in Mexico• 1943 - •Street Corner" 1935 - •Still Life• 1944 - •Old Lewiston-Moscow Highway• Thomas McClure Ambrose Patterson 1936 - •Landscape• 1937 - "Still Life" George A. La1sner Guy Anderson 1945 - •Grandmother" David Mccosh Don Riepe 1946 - •Still Life with Pineapple• Viola Patterson Angela Ryan 1938 - "Mountain Merry-Go-Round• 1947 - "Mill with Smoke• 1939 - •Exodus• 1948 - •Gates to Nowhere• E. Webster Peggy Strong Jacob Elsh1n William Givler EARLY PRIZE WINNERS 1925 - Clara J. Stephens 1928 - Mrs • Ambrose Patterson 1926 - Eustace Ziegler 1929 - William Givler 1927 - Edgar Forkner 1930 - Michael Mueller ~. 1 f__.. ........ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The West Seattle Art Club - Katherine B. Baker Memorial Tea - June 1, 1949 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The West Seattle Art Club - Katherine B. Baker Memorial Tea Prize Winners 1925-1948 Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource List of the Katherine B. Baker Memorial Purchase Prize winners from 1931-1948. Includes early prize winners from 1925-1930. Type The nature or genre of the resource text | image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1925-1948 Creator An entity primarily responsible for making the resource The West Seattle Art Club Publisher An entity responsible for making the resource available The West Seattle Art Club Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1949 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Northwest Annual Exhibition https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/52089c68e8c449583ca725760a422b3b.pdf?Expires=1773878400&Signature=aXEHp5J%7E8Od-P54lqxCgrK6RiwIbSPmZBPU6b37EjaR4Hs8TnsthYg5zd56sVhCGbGZXVR-2Ch-Q8S%7EeWc8JjS6erLGlnVOJK0C2jvEA-NORrf3GhinZ-9NZbhxfpPLayxkk6p1ePkEKhQ7P1QKLzxqBBZUTXsYJNC5sDx0D-aRmipVozU8oV8YZmyj8WXQJG-9bGlyk80fmDsO%7EQD-qgWE71bWzlX-wkYQ-WDYk9HEZUw6QutCUxi6hMKoTdmt40QLMZsGojdQqYKpEBBj0%7Exeg89NSwH8fR9jqDjZC%7E1haJF4dbxwFcW6WXA4S01OTN16LMWcMhHzthdAQDPhJlg__&Key-Pair-Id=K6UGZS9ZTDSZM a0445966422a11723f2f1512654792eb PDF Text Text MODERN ART PAVILION• MAY 19 - JUNE 19, 1977 �CHECKLIST Anderson, Guy 1. Man and Woman in Winter, 1976, oil and paper mounted on board Courtesy of Francine Seders Gallery, Seattle Barzel, Dina 2. Witch, 1977, fibers Courtesy of the artist During the past two years the Northwest Artists Today exhibitions have focused on particular media for each series: Works on Paper, Part I; Painting and Sculpture, Part II; and Glass and Fiber, Part Ill. The 1977 invitational brings together a variety of media as well as styles. Reflecting national trends, there is an emphasis on photography and drawing, both now recognized as major and independent mediums with distinctive expressive and technical possibilities of their own. Print-makers are both manipulating traditional means and exploring new processes such as xerox. Even the scale of works on paper has approached that of painting. In painting there is a continuation with formal concerns of color and process and varying degrees of realism. In sculpture the interest in different materials, such as steel or wrapped bamboo, parallels the individual interest in formalism and/or content. As on the national scene, there is no singular direction in the visual arts; however, there is a strong movement in the interaction of the visual and performing arts as represented in several works in the exhibition. The purpose of this exhibition is to demonstrate the wide spectrum of artists' activities in the area. Through the support of the Pacific Northwest Arts Council of the Seattle Art Museum we hope to continue to bring to the museum visitor current work of both established and relatively new artists of the Northwest. Baudoin, Ali 3. Cross Currents, 1976, aluminum Courtesy of the artist Beck, Larry 4. Untitled Sculpture, 1977 Courtesy of the artist Burns, Marsha 5. Corridor Series, #1-3, 1976, gelatin/silver photographs Courtesy of the artist 6. Nude, 1977, gelatin/silver photograph Courtesy of the artist 7. Nude, 1977, gelatin/silver photograph Courtesy of the artist Burns, Michael 8. Monument Valley, Utah, 1976, gelatin/silver photograph Courtesy of the artist 9. Motel, Coeur d'Alene, Idaho, 1976, gelatin/silver photograph Courtesy of the artist 1o. Pine, Sierras, 1976, gelatin/silver photograph Courtesy of the artist 11. Nude, 1977, gelatin/silver photograph Courtesy of the artist Busher, Dick 12. Untitled #1, 1976, cibachrome photograph Courtesy of the artist Charles Cowles Curator of Modern Art Seattle Art Museum 13. Untitled #2, 1976, cibachrome photograph Courtesy of the artist 14. Untitled #3, 1977, cibachrome photograph Courtesy of the artist 15. Untitled #4, 1977, cibachrome photograph Courtesy of the artist Calderon, Eduardo and Mccafferty, Michael 16. Untitled #1-5, 1977, black and white photographes by Calderon Pole Arrangement, Whidbey Island, 1977, by McCafferty Courtesy of the artists Callahan, Kenneth 17. Summer Day, 1977, oil on canvas Courtesy of Foster/ White Gallery, Seattle �Carmichael, Dan 18. Untitled, 1977, polyurethane core, fiberglas skin, lacquer finish Courtesy of Francine Seders Gallery, Seattle Jones, Fay 35. Fancy Scape, 1977, acrylic on mat board Courtesy of Francine Seders Gallery, Seattle Celentano, Francis 19. Untitled #6, 1977, acrylic on polyvinyl-chloride mounted on board Courtesy of Foster/ White Gallery, Seattle 36. Fish out of Water, 1977, acrylic on wood Courtesy of Francine Seders Gallery, Seattle 37. Let Sleeping Gift Horses Lie, 1977, acrylic on wood Courtesy of Francine Seders Gallery, Seattle 20. Untitled #7, 1977, acrylic on polyvinyl-chloride mounted on board Courtesy of Foster/White Gallery, Seattle Chew, Carl T. 21 . Book, 1977, color xerox Courtesy of the artist 22. Red Message CX, 1977, color xerox Courtesy of the artist Cotten, Walter 23. Cross Bedding Series #1, 1977, graphite on paper Courtesy of the artist Jones, Robert C. 38. Untitled, 1974, charcoal on paper Courtesy of Francine Seders Gallery, Seattle r \ Dailey, Michael 25. Eastern Seascape, 1976, oil on canvas Courtesy of Francine Seders Gallery, Seattle 42. Ledge, 1977, gouache on paper Courtesy of the artist Langager, Craig 43. Air Cushion, 1976, oil on canvas Courtesy of Foster/ White Gallery, Seattle Evans, Dennis 26. A Deep Water Event: 100 Soundings of Puget Sound Using 100 Tuned Stones, performed between Fauntleroy and Vashon Island in Puget Sound, January 16, 1977, mixed media Courtesy of Linda Farris Gallery, Seattle Lawrence, Jacob 44 . Studio, 1977, gouache and casein Courtesy of Francine Seders Gallery, Seattle Hamilton, Isabel 27. Bird Vertigo on an Imagined Trapeze, 1976, enamel paint on rag board Collection of Ms. Sylvia Meyer, Seattle 45. University, 1977, gouache and casein Courtesy of Francine Seders Gallery, Seattle 28. Chaste Trappings, 1977, enamel paint on rag board Courtesy of the artist Hazel, Stephen 30. Beautiful Display 1O (The Beauties of Chinatown), 1976, etching Courtesy of the artist 31. Prince in the Video Landscape, 1977, ink on paper Courtesy of the artist Hust, Joel 32. Still Life with Napkins, 1976, oil on canvas Courtesy of Foster/White Gallery, Seattle 33. Still Life with White Napkins, 1977, oil on canvas Courtesy of Dana Reich Gallery, San Francisco Ingham, William P. 34. Lower Bar, 1977, oil on canvas Courtesy of Foster/White Gallery, Seattle Jonnson, Ted 40. Pantapol , stainless steel , commissioned in 1973 by Port of Seattle for SeattleTacoma International Airport, to be installed June 1977 Courtesy of the artist and the Port of Seattle Lambert, Gordon 41. I Beam, 1977, gouache on paper Courtesy of the artist 24 . Untitled Drawing, 1977, graphite/aluminum paint on paper Gou rtesy of the artist Havas, Paul 29. Mustard Field, 1977, oil on canvas Courtesy of Gordon Woodside Gallery, Seattle 39. Untitled, 1975, charcoal on paper Courtesy of Francine Seders Gallery, Seattle Luce, Charles B. 46. Inverted Staircase, 1977, wood and polymer cement Courtesy of the artist and Linda Farris Gallery, Seattle ~ 47. Monogatari #2, 1977, graphite on paper Courtesy of the artist and Linda Farris Gallery, Seattle 48. Book: Card Scheme, 1977 Courtesy of the artist and Linda Farris Gallery, Seattle Lundin, Norman 49 . Package in My Studio, 1977, charcoal on paper Courtesy of Francine Seders Gallery, Seattle 50. Studio Wall, 1977, charcoal on paper Courtesy of Francine Seders Gallery, Seattle Macapia, Paul 51. The Organic Garden, 1976-1977, series of black and white photographs on single sheet Courtesy of the artist �Macleod, Susan 52. Map Collage/States Map, Scale = 1" = 8 miles, 1974 to present, acrylic on U.S.G.S. maps and canvas Courtesy of the artist Maki, Robert 53. Work Model of "Trapezoid E" for Federal Office Building, Eugene, Oregon, 1975, painted masonite Courtesy of the artist 69. Albany, Oregon , April 1977, color photograph Courtesy of the artist 70. Lake Washington, April 1977, color photograph Courtesy of the artist Okada, Frank 71 . Pacifica, 1976, oil on canvas Courtesy of Foster/White Gallery, Seattle 54. Photograph of Federal Office Building Sculpture , Eugene, Oregon, Painted Aluminum Courtesy of the artist Overton, John 72. Taro, 1977, hanga on Kizuki Hosho paper Collection of Gregory Anderson , Seattle 55. Untitled Floor Sculpture, 1977, steel Courtesy of the artist 73. Vaal Speaks, 1977, hanga on Shiro Torinoko paper Collection of Gregory Anderson, Seattle Mason, Alden 56. Summer Zinger, 1977, oil on canvas Courtesy of Polly Friedlander Gallery, Seattle Rabel, Kathleen 74. Path of the Seneschal, 1977, etching on Journal paper Courtesy of the artist McClelland, Stephen 57. Rain and Current, 1977, painted wood construction Courtesy of Foster/ White Gallery, Seattle 75. Sweet Refrain, 1977, IBM Executive Typewriter, Italia typeface, mounted on Journal paper Courtesy of the artist 58. Vertical Study #2 , 1977, pastel on paper Courtesy of Foster/White Gallery, Seattle Raider, Kenny 76. Seattle #1, 1976, silver print photograph Courtesy of the artist Mee, Nancy 59. Lynais Corset in Treatment of Scoliosis, 1976, transfer on paper Courtesy of the artist 77. Seattle #2, 1976, silver print photograph Courtesy of the artist 60. Untitled Drawing, 1977, transfer on paper Courtesy of the artist 78. Seattle #3 , 1976, silver print photograph Courtesy of the artist Meitzler, Neil 61. Cloudscape, 1976, acrylic on canvas Courtesy of the artist 79. Highway #1, Northern California, 1976, silver print photograph Courtesy of the artist Meuse, Ray 62. Triptych #1, 1977, black and white photographs Courtesy of the artist Edwards-Rajanen, John 80 . A Lonely Place, 1977, acrylic/rhoplex on canvas Courtesy of Linda Farris Gallery, Seattle 63. Web, 1977, photograph Courtesy of the artist Rauschenberg, Christopher 81. Untitled #1, 1976, black and white photograph Collection of the artist Moorman, Margaret 64 . Early, Amarillo, 1977, pastel on paper Courtesy of Linda Farris Gallery, Seattle 82. Untitled #2, 1976, black and white photograph Collection of the artist 65. Of Thee One Hour, 1977, pastel on paper Courtesy of Linda Farris Gallery, Seattle Morris, Hilda 66. Torso, bronze Courtesy of Gordon Woodside Gallery, Seattle Namkung, Johsel 67. Denny Creek, January 1977, color photograph Courtesy of the artist 68. Rocky Run, March 1977, color photograph Courtesy of the artist 83. Untitled, 1976, black and white photograph Collection of the Cackley-Hughes Family, Portland Ritchie, Bill 84 . Little C Square, 1977, print on paper Courtesy of the artist 85. Little C Square, 1977, print on paper, hand colored Courtesy of the artist Sato, Norie 86. Signal Interference II , 1976, mixed media: intaglio, relief, woodcut, lithograph Courtesy of the artist �87. Video Retrace, 1977, mixed media: intaglio, relief, lithograph Courtesy of the artist Simons, Chris 88. The Proceeding, Receding Procession, 1976, hand tinted photograph Courtesy of Foster/ White Gallery, Seattle 89. Tooth Fairies Waiting for the Sandman, 1976, hand tinted photograph Courtesy of Foster/White Gallery, Seattle 90. Tripping Through Another LightFeat, 1976, hand tinted photograph Courtesy of Foster/White Gallery, Seattle Sonniksen, Scott T. 91. Low Motion Ritual: Sight, 1977, lint, rhoplex, wood, liquidgraphite Courtesy of the artist Spafford, Michael 92. Falling Figure, 1977, oil on canvas Courtesy of Francine Seders Gallery, Seattle Tate, Larry 93. Aluminum and Cables, 1977, aluminum Courtesy of the artist 94. Scaffolded Landscape, 1977, silicon bronze, brass and wood Courtesy of the artist Warashina, Patti 95. You Captured My Heart, 1977, porcelain Courtesy of Polly Friedlander Gallery, Seattle Zusman, Barbara 96. Mentor Klaw Series #2, 1977, mixed media Courtesy of Foster/White Gallery, Seattle 97. Mentor Klaw Series #11, 1977, mixed media Courtesy of Foster/White Gallery, Seattle Many works are for sale. Contact the Sales Desk for purchases. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seattle Art Museum Northwest '77 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Seattle Art Museum Northwest 1977 Northwest Artists Today 1977 Invitational Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource Checklist for Northwest Artists Today '77, held May 19 - June 19, 1977. Includes an introduction by Charles Cowles, Curator of Modern Art at Seattle Art Museum. Type The nature or genre of the resource text | image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant May 19 - June 19, 1977 Creator An entity primarily responsible for making the resource Seattle Art Museum Publisher An entity responsible for making the resource available Seattle Art Museum Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1977 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Modern Art Pavilion Northwest Annual Exhibition Seattle Art Museum Pavilion https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/afc3f411ef2a39f15c525f5b986355d6.pdf?Expires=1773878400&Signature=l0rp69DWiiB0Q%7EZGbdj4Ry3HnQaKfpQbAnz6GC3B2sNd7yyxja%7E9VGtzAob2CxUOMwx%7EPCVS99mMIUrjM%7EEy41ZwlEgleeGV2w73BW1FjM2QOH70MNPo5Xbsaih%7EjedwiNfC1HELkxcamXRkSoRIlPrzujgqalIE8wnSv9yhtQ-vrJp01XstJbIpWeWgKyXykLxT5ivT4WoY7vkRbqkMVSN698me%7ENSQ6MiAZc4wY8SIQZbXh97Re4ctlI4g2c1pylXrvwqc%7ERGqLVxGYmFslm%7EzTXv-BTO-aWKSwmv4Y8300YJO9gTcGIUZwRtude5bLI-tZsHPNlUvQM3nWFfj6Q__&Key-Pair-Id=K6UGZS9ZTDSZM 35f840b47455b30a0d983b8aaa0186cf PDF Text Text �THE ARTIST ll THE CITY, C.E.T.A. N This project was made possible in part by funding from the National Endowment for the Arts, a federal agency, Washington, D.C. �The Seattle Art Museum welcomes the opportunity to present to the community the artistic products of the innovative program developed so imaginatively by the Seattle Arts Commission. This exemplary use of C.E.T.A. funds, which made possible the employment of artists by the City, has resulted in enriching Seattle's collection of art. What is being introduced here will continue to bring pleasure to the people of Seattle. Willis F. Woods Director, Seattle Art Museum Admitting that artists are also hard-hit in times of high unemployment was a small but important step for government to take. The artists in this program have worked hard for the City, and the City and the artists have benefited. Wes Uhlman Mayor, City of Seattle I am pleased to have shared in the decision by the Mayor and City Council of Seattle to utilize funds made available by the Comprehensive Employment and Training Act to support a variety of art projects in the City. The C.E.T.A. project has proven to be one of the innovative and successful programs in the nation. It has resulted in artistic contributions to the city that shall remain for future generations to share and enjoy. It is not only a fitting project for the City of Seattle, but also a fine tribute to our nation's Bicentennial. Bruce Chapman Secretary of State, State of Washington The City has a critical commitment to assist in sustaining the lives of its cultural institutions: you cannot in these times have an art museum, a symphony orchestra, or an experimental theater without municipal, state, and federal support. However, the C.E.T.A. program was the Arts Commission's way of recognizing the fact that neither can you have an art museum without painters, a symphony orchestra without composers, or an experimental theater without playwrights. Norm Hoagy Chairperson, Seattle Arts Commission The C.E.T.A. project was a daring and innovative program. The Seattle Arts Commission was breaking ground, and all the people connected with the project are to be complimented for making it work, because there were simply no rules to follow. Morris J. Alhadeff Former Chairperson, Seattle Arts Commission This is the kind of thing the City has to do. C.E.T.A. funds were an opportunity to do something that everybody wanted to do. Periodically, the City finds itself in a place where it can go in one of several directions; it has to recognize the moment and react quickly and positively. This project wasn't one where people covered themselves. The Arts Commission the Department of Personnel, everybody involved took ~ chance. I think it paid off. Paul Schell Director of Community Development, City of Seattle The C.E.T.A. artists funded through the King-Snohomish Manpower Consortium proved that a five-month publicly supported arts program could leave a legacy that would benefit citizens of all ages for years to come. The Seattle program created jobs and met a public need. It benefited both artists and residents, the latter being the greater of the two beneficiaries. Seattle is indeed richer for having contributed to the support of its artists-in-residence. Robert McPherson Director, King-Snohomish Manpower Consortium I am pleased to have been a part of such a unique and innovative project. The works of art that were created will be a lasting tribute that can be enjoyed by all. John J. Driscoll Personnel Director/Secretary and Chief Examiner, City of Seattle �THE ARTIST IN THE CITY PROGRAM CONE, FRED AND CHERYL Cone's film, Tribute to John Cage/Atlas Australis, created with assistance from his wife Cheryl, involves three part simultaneous projection on to moving cheesecloth and into the sky. The content is based on both the method and the footage. ADKISON, DREX As Neighborhood Artist in Residence in the West Woodland area of Seattle, Adkison acted as catalyst in the implementation of four community projects which continue beyond C.E.T.A. support: an arts activity center; preliminary designs for two neighborhood murals, one at the Norse Retirement Home, 5311 Phinney North, and one for the retaining wall on Market Street, north of 50th; a long range plan for street related projects in cooperation with the Office of Neighborhood Planning and the Department of Community Development; and, as represented by the photo-mural in this exhibition, the construction of a children's playground at John B. Allen School, 6615 Dayton Avenue North. DAIBER, GRETCHEN For the Life Sciences Building at the Pacific Science Center, Daiber designed a painting of a life size humpback whale. In addition to this particular interest, she did a series of eight collographs of endangered species, three most recognized being the Rocky Mountain Goat, the Southern Bald Eagle and the Blue Whale. DAVID, GEORGE David hand adzed thirty-nine logs, generally thirty-three feet long and a foot and a half in diameter, for the construction of the Daybreak Star Performing Arts Center at Discovery Park. Nine of the logs were fifty feet long with a diameter averaging three feet. AHOLA,NOLA Ahola has created six watercolors and four collages during her support by C.E.T.A. From the intense study of live models in her studio, the artist has recreated these forms into abstract works with a variety of form and expression. DORPAT,PAUL Dorpat has written and produced a twenty minute sound, color film on the history of Seattle to the present time. The film incorporates well researched facts with special effects and experimental techniques. ALLEN, KATHLEEN For small organizations, particularly the performing arts, Allen functioned as a graphic artist designing such items as posters, flyers, brochures and tickets. Her special interest has been the production of a jazz coloring book with pen and ink drawings of legendary jazz musicians. DURKEE, NORMAN Fowl Play is the first act of a projected three act musical media piece. In the form of a tape recording the work is scored for speakers, singers and instrumenis. ARREGUIN, ALFREDO For the city art bank, Arreguin created two brilliantly patterned paintings based on the theme of a window, The Window of Seasons and The Window of Make Believe. ERICSON, MILDRED Ericson has written a marine biology treatise on the life of the salmon of the Northwest. The Salmon Story is written in layman's terms and is illustrated with photographs. BARRIE, DON The C.E.T.A. project gave Barrie the opportunity to continue his mural on the south wall of the Pelican Bay Artists Cooperative at 600 19th East. Based on a Hopi Indian legend of a city in the sky, the surrealistic landscape mural, which incorporates features of the building into its design, is a polychrome bas relief of ferro cement with an acrylic coating. FITZGERALD, MIRO For her project Fitzgerald created two large acrylic paintings. Composed of an overall field of luminous, horizontal strokes of color, the murals are titled Tenebrae Lumiere and Mirage. BEACH, CAROL In experimenting with various approaches to photographing dance, Beach produced a series of thirty-five photographs of well known dance groups and individual performers. BEYER, HUNTLEY Beyer composed three original musical scores, including one which has already premiered with the Kronos String Quartet: String Quartet #1, Slow Flowing; Cowboy Bob for flute and harpsichord or piano; and Waking Reflections, for string quartet. 1 GASKILL, ELIZABETH Gaskill's project consisted of two original compositions and an orchestral adaptation. Set to text by E.E. Cummings, her first composition, All in Green, is scored for oboe, viola, cello soprano and counter tenor. Her second composition is a suite for Renaissance consort titled 5Ein Neues Spielbuch. The orchestral adaptation is from Trittico Barbaro by Wolfgang Ganges Darzin, a Latvian composer. J BLAIS, MARCEL Through photographs Blais has documented the activities of the arts, the art scene and behind the scenes. A unique section is the focus on the artists of the Monroe State Reformatory. GILBERT, LINDA Besides teaching weaving and watercolor painting to the mentally retarded at the Fircrest School and at Senior Citizen Centers, Gilbert has created three diverse wall hangings. One specific weaving depicts scenes from the Pike Place Market whereas the other two are more universal in their subject matter, Landscape and Freedom. CARPENTER, JOHN Drawn from ancient Northwest Indian stories explaining the environment, Carpenter's cycle of mythical poems, Putting the Loon Together, is placed in a contemporary context. He also wrote five poems for the Metro system. GRANBERG, WILBUR Through C. E. T.A. employment this veteran writer was able to finish a long conceived book about the early explorations of the Northwest. Passage to Nootka is factually documented and illustrated with photographs. �GUNDERSON, NICK Gunderson's project was to document the Commission's Artist in the City Program. Each of the fifty-two artists were photographed during the various stages of their projects. Selections from this comprehensive documentation are seen in slides in the exhibition. HAZEL, STEPHEN Hazel, along with Rabel and Overton, proposed a suite of three prints in an edition of five for the City of Seattle. Hazel's work is a lithograph titled Beautiful Display 9: Three Days in Kaui. An important aspect of the project, International Suite, is the city loan of one of the five suites to its sister city Kobe, Japan, to Rotterdam, Holland, and to the Seattle Art Museum. HELMICH, KAREN In a photo-realist style Helmich has painted four watercolors capturing aspects of Seattle: Chief Seattle, Space Needle, International District and Waterfront. HENRY, ELIZABETH In a collaborative project with Carolyn Marr, Henry designed two fabric wall hangings for the waiting areas of Harborview Medical Center. HODGE, MARGARET At five separate Senior Centers, Hodge taught a variety of poetry and creative writing classes. From these informal workshops an anthology, Memory is a Great Bargain in Life, has been printed and distributed to various public institutions induding the Seattle Public Library. Hodge also contributed five poems of her own for Metro in the Poetry on the Buses Project. HUNTER, PAUL Hunter has written a one act play, The Arabian Nights, formed from six short stories and involving thirty-three characters. He has extensively researched locales, speech styles and other different aspects of the history and culture of the era of the "Magic Carpetbag of Shahrazad." KANCHOO As a teacher of visual art skills at the King County Youth Services Center, Kanchoo fulfilled one of his two objectives during his C.E.T.A. employment. He also executed two oil on masonite paintings, Carousel and City Lights. KEPNER, RITA With cooperation from the Downtown Seattle Development Association, the City Engineering Department and the Seattle Park Department, Kepner was able to create a sculpture, Human Forms in Balance. Working in a closed off area of Westlake Mall, she began with a 3500 lb. black steatite stone quarried from northern Washington. KING, BILLY As a C.E.T.A. artist King used his immediate environment of the International District and First Avenue - Pike Place Market for his works on paper in various media. From twenty-five works capturing area residents and diverse life-styles, six were chosen for the city art bank of the Seattle Arts Commission. LANGILL, NORMAN A satire of the omnious possibility of the eruption of Mount Baker is the focus of Langill's one act play written for seven characters and with music. Several Commission sponsored performances of Trouble on Mount Baker have already been produced for various audiences. During the summer of 1975 Langill directed numerous performances of his play by the One Reel Vaudeville Show. MARR, CAROLYN In a dual project with Elizabeth Henry for Harborview Medical Center, Marr designed four batik wall hangings. One of the four hangings will go into the city art bank. MATZIGKEIT, PHILLIP In conjunction with a large percentage of students and staff of the John Rogers, Sanislo, and Viewlands Elementary Schools, Matzigkeit designed and executed wall murals for various locations. MUNGO, RAYMOND . Mungo's project was to write articles on Seattle, and S~attle and t~e arts for nat1on?I publications. Two articles have appeared in Plannmg Magazme and Harpers Weekly on the Artist in the City Program and the Woodland Park Zoo volunteer program. OVERTON, JOHN . . Overton joined with Kathleen Rabel ~nd . Stephe~ . Hazel . 1n the proiect, International Suite. For the suite of three prints 1n an ed1t1on of five he produced Nuku Hiva in sosaku-hanga technique. As with the other prints, the plates "."ill be cancelled upon completion of the edition and become the property of the City of Seattle. PARSONS, JAMES · . In cooperation with the Seattle Department of Parks and Rec.reat1on, Parsons illustrated flora and fauna for the guidebooks and posters of Discovery Park. In addition he produced twelve crowquill and ink drawings of Northwest flora and fauna for the city art bank. PRITCHARD, BARRY Pritchard, a nationally known playwright, has written a two act play dealing with the International Workers of the World Massacre of 1919, a confrontation between the American Legion and the union workers of l.W.W. Centralia /1919 incorporates vaudeville forms and techniques as well as other music of the period. RABEL, KATHLEEN Rabel with two other printmakers, Hazel and Overton, produced the International Suite, three prints in an edition of five, for the City of Seattle and for loan to Kobe, Rotterdam and the Seattle Art Museum. RING, DIANA Faces of the City, a documentary character sketch of the people of Seattle, was the project of Ring. Some of the twenty-five black and white and sepia photographs are accompanied by written narrative. SALSMAN, JOEL Premiered with the Northwest Chamber Orchestra, Salsman's The C.E. T.A. Concerto is scored for piano with a string orchestra composed of brass drum, Chinese gong and triangle. The piano concerto is a modal work revolving around the drone of G. �SANDERS, MURL ALLEN Adaptable to varying combinations of instruments, Sanders' musical compositions totaled eight during his C.E.T.A. employment. One of the eight, Blow, Blow Thy Winter Wind, was composed to a text by William Shakespeare and premiered by his group, Murl's Pearls, during the summer of 1975. SANDVIG, ELIZABETH Sandvig has constructed an environmental sculpture of transparent aluminum screen, shaped in a brick format. Over one thousand bricks have been sewn together to form a maze with exterior dimensions of nine by ten feet. SATO, NORIE Sato utilized her C.E.T.A. grant to produce works on paper in various print media. Edge /Glass Horizon, a typical theme, will be one of the six for the city art bank. SHAYLER, GEORGE, AND LOVE, MIKE On a playfield constructed by the W.P.A. in 1933, Shayler and Love collaborated to design and execute a mural for the retaining walls of the Cascade Playfield, 300 block of Minor North. The abstract color composition covers approximately two thousand square feet. SILDAR, WILLIAM PETER For the first floor lobby of the Center House at Seattle Center, Sildar executed a large abstract, laminated wood sculpture. Queue VI was carved from "found " scraps of pine, fir, cedar and alder and constructed primarily with bolts and dowels. SWINGLE, LARRY For the exterior surface of the Green Lake Fieldhouse, Swingle created a ceramic mural depicting varying scenes of acquatic life. The bas relief in four panels, four by four feet, is glazed high fired stoneware anchored to a wooden backed frame . VIERTHALER, BONNIE Using the medium of recycled inner tubing, Vierthaler created one major fabric hanging, Tired After a Good Year in Seattle, and five smaller ones as her C.E.T.A. project. Typical of the major work, measuring nine by nine feet, the tubing was gathered from various sites, cleaned, cut into strips and woven into its final design. Several of the small hangings are a framed construction of inter-woven rubber. WAGNER, KEN Wagner's creation of a photographic collage, Seattle Cityscape, shows a cross section of people, activities, spaces and architecture of the city. More than four hundred and fifty photographs have been mounted into the collage format on panels. WALKER, EDDIE RAY Walker has designed two pointillist murals, acrylic on masonite, for the Douglass/ Truth Library at 23rd and Yesler Way. The two works are thematic portraits of Sojourner Truth and Frederick Douglass for whom the library is named . WALKER, STEVE For the first phase of his project Walker executed a large billboard at First and Pine with the Cooperation of Foster/Kleiser Company. He also designed a photo silkscreen line drawing on London grey paper, The End, for an art rebate poster which was distributed free to the public in downtown Seattle. His grant gave him time to begin an oil painting. WALTERS, RENARD Working with the Central Area Senior Center, Walters taught a variety of classes, such as macrame, ceramics, candlemaking, drawing and sculpture. The work from classes were sold to benefit the activities of the Center. WARD, DOUGLAS ALAN As a poet Ward proposed to produce a public word mural in poetic form. Seattle Poems focuses on many underlying aspects of the city and has been distributed to various public institutions. He was part of the pilot project of poems on Metro buses for ninety days. WEST, KATHLEENE One of the four poets included in The Artist in the City Program, West produced a volume of free verse, On the Bus, unified by images drawn from language associated with buses. Descriptions have been excerpted from the documentary booklet written by Douglas Q . Barnett, Coordinator for C.E.T.A., Artist in the City Program. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Northwest Artists Today - Part III : The Artist in the City, C.E.T.A. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Northwest Artists Today - Part Three : The Artist in the City, C.E.T.A. Northwest Artists Today - Part 3: Glass and Fiber Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource Checklist for Northwest Artists Today - Part 3: The Artist in the City, C.E.T.A. held March 25 - April 25, 1976. Includes introductory statements made by Willis F. Woods, Wes Uhlman, Bruce Chapman, Norm Hoagy, Morris J. Alhadeff, Paul Schell, Robert McPherson, and John J. Driscoll. Includes a list of artists involved in The Artist in the City Program, with descriptions of their featured works. Type The nature or genre of the resource text | image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant March 25 - April 25, 1976 Creator An entity primarily responsible for making the resource Seattle Art Museum Publisher An entity responsible for making the resource available Seattle Art Museum Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1976 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Modern Art Pavilion Northwest Annual Exhibition Seattle Art Museum Pavilion https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/e70ab25f56326167044b97e940142e5f.pdf?Expires=1773878400&Signature=J-ZMNjkUEfC%7EOF%7E0yvbMA%7EaktmWl%7E4b154p8KUjqcTWKg8BuUg8x59GqdlVPeASTrv8Yrp8o%7EZSMXygr6v-%7Ea-oLIaXhb4dfJpSB9r0ODqRw2r%7ERMVcaiaJbWbCpU63hbBIFrkQtwWVVROeK0j8mi13-g%7EHClU-NWcIeXQZ7FD3UiQpDoMt%7E63KLXwfAS1qutEFz6LCzES-oC-EnUleVSwGCA%7EMPCZq4lnPTdQJBupsNTy9SYDOpv%7Em9dEuA%7Ei1OhoCl7RRJxV2tyahzd4q5gXOKgUR-0NVoACEinC6pgylvexxDZ8WYdqwdp9WxKJXETIR584DSidHRpeGfKZhOxA__&Key-Pair-Id=K6UGZS9ZTDSZM c9d50fd8adec13277e02cffd460f09fd PDF Text Text �CHECKLIST Anderson, Parks 1. lridaea #51, 1975, acrylic and polyester Courtesy of Foster/White Gallery, Seattle 2. lridaea #80, 1975, acrylic and polyester Courtesy of Foster/White Gallery, Seattle Backstrand, Jay 3. Pain of Glass Series #16, 1975, oil and wax on canvas Courtesy of Fountain Gallery of Art, Portland This is Part II of an ongoing series of invitational exhibitions exploring art today in the Northwest. In this exhibition, as in Part I: Works on Paper, it should be noted that the focus is on the most current work of the artist, even though that artist is well known in the community. Also included are artists relatively new to the art scene whose present work is of interest. As on the national scene, instead of one singular direction, there is a healthy proliferation in varying degrees of realism and abstraction, including an emphasis on minimal esthetics, concept, and concern with process. In the short time that I have been in Seattle, I have visited many exhibitions, collections and studios in my attempt to explore what is happening now in the area. I have also asked for references and have had many unsolicited inquiries. There are also artists in the community whom we unfortunately have not yet had an opportunity to approach or fully explore. But, we hope through this continuing series of exhibitions to bring forward to the Museum visitors a spectrum of artists' activities in the area. I would like to acknowledge the support of the Pacific Northwest Arts Council of the Seattle Art Museum for their assistance in presenting this exhibition. Charles Cowles Curator of Modern Art Seattle Art Museum 4. Pain of Glass Series #17, 1975, oil and wax on canvas Courtesy of Fountain Gallery of Art, Portland Baudoin, Alison 5. Convolving Forms, 1975, aluminum Courtesy of the artist 6. Undulations, 1975, bronze Courtesy of the artist Benjamin, Max 7. Untitled, 7/1974, oil on linen Courtesy of the artist 8. No. 14, 8/1975, oil on linen Courtesy of the artist 9. No. 16, 10/1975, oil on linen Courtesy of the artist Bunce, Louis 10. H.S. #12, 1975, oil on canvas Courtesy of Fountain Gallery of Art, Portland 11. H.S. #13, 1975, oil on canvas Courtesy of Fountain Gallery of Art, Portland Celentano, Francis 12. Epsilon #20, 1975, acrylic on polyvinyl-chloride Courtesy of Foster/White Gallery, Seattle 13. Epsilon #22, 1975, acrylic on polyvinyl-chloride Courtesy of Foster/White Gallery, Seattle Colquitt, Clair 14. Great Seattle Air Disaster (Wall Clock), 1975, ceramic Courtesy of the artist 15. No Step, 1975, mixed media Courtesy of the artist Front Cover Frederick Ferdinand Schafer (American 1841-1917). Mt. Rainier at Sunset, oil on canvas. Eugene Fuller Memorial Collection, Seattle Art Museum. 16. Table Top, Air Purifier, 1975, ceramic Courtesy of the artist Dailey, Michael 17. Sandy Cove, Evening Light, 1975, oil on canvas Courtesy of Francine Seders Gallery, Seattle �35. Aperture Series #1003, 1975, silicon bronze, acrylic, plastic, gold leaf and neon light 18. Scapa, Sundown #4, 1975, oil on canvas Courtesy of Francine Seders Gallery, Seattle Elder, Norman 19. Untitled, oil on canvas Courtesy of Gordon Woodside Gallery, Seattle 20. Sleeper, 1975, oil on canvas Courtesy of Gordon Woodside Gallery, Seattle Fawkes, Tom 21 . Salmon Sluice. McKenzie River Hatchery, 1975, acrylic on canvas Courtesy of Fountain Gallery of Art, Portland 22. Trout Exit, Middle Fork Smith River, 1975, acrylic on canvas Courtesy of Fountain Gallery of Art, Portland Also represented by Linda Farris Gallery, Seattle Fry-Loftis, Christine 23. French Creek No. 2, 11 /1975, color pencil on paper Courtesy of Fountain Gallery of Art, Portland 24. Shepherd's Camp No. 4, 11/1975, color pencil on paper Courtesy of Fountain Gallery of Art, Portland 25. Summit No. 2, 11 /1975, color pencil on paper Courtesy of Fountain Gallery of Art, Portland Also represented by Foster/White Gallery, Seattle Gael, James 26. Draped Figure, 1975, ceramic Courtesy of the artist 27. East Meets West, 1975, ceramic Courtesy of the artist 28. Esthetic Attrition, 1975, ceramic, edition of 100 Courtesy of the artist 29. Recumbent Figure, 1975, ceramic Courtesy of the artist 30. Song for Severed Head, 1975, ceramic Courtesy of the artist 31. Thrill is Gone, 1975, ceramic, edition of 50 Courtesy of the artist 32. Child's Play, 1975, ceramic Courtesy of the artist Represented by Foster/White Gallery, Seattle 1 1 Gilkey, Richard 36. Evening, Fir Island, 1975, oil on canvas Collection of Mr. Arnie Garborg, Conway 37. La Conner Landscape, 1975, oil on canvas Courtesy of the artist Haley, Sally 38. Untitled IX (Guitar), 1975, acrylic on canvas Courtesy of Fountain Gallery of Art, Portland 39. Untitled X (Basket of Apples), 1975, acrylic on canvas Courtesy of Fountain Gallery of Art, Portland Hanson, Larry 40. Memories of Myself II, 12/1975, sand and light Courtesy of the artist Hoffman, Kim 41. Hoffman's Sampler, 1975, oak and maple Courtesy of the artist 42. Oak Box, Maple Contents, 1975, oak and maple Courtesy of the artist 43. Waving to Friends, 1975, oak, maple, birch Courtesy of the artist Hoppe, William 44. Yellow Diptych, 1975, acrylic on canvas Courtesy of Polly Friedlander Gallery, Seattle Hust, Joel 45. Still Life with Towels, 1975, oil on canvas Courtesy of the artist 46. Still Life with Towels, 1975, oil on canvas Courtesy of the artist 47. Still Life with White Towels, 1975, oil on canvas Courtesy of the artist Represented by Foster/White Gallery, Seattle Ivey, William 48. Untitled #1 , 1975, oil on canvas Courtesy of Gordon Woodside Gallery, Seattle Geise, Jonn 33. Aperture Series #1001 , 1975, silicon bronze, acrylic, plastic, gold leaf and neon light . Courtesy of the artist 49. Untitled #2, 1975, oil on canvas Courtesy of Gordon Woodside Gallery, Seattle 34. Aperture Series #1002, 1975, silicon bronze, acrylic, plastic, gold leaf and neon light Courtesy of the artist Jonsson, Ted 50. Tetradigm, 1974, stainless steel Courtesy of Polly Friedlander Gallery, Seattle �51. Blueprints of Tetradigm for Salem Civic Plaza Courtesy of the artist 52. Photograph of Seattle Water Control Center Fountain, 1975, stainless steel, 26 '1X12'h Courtesy of the artist Katz, Mel 53 . Untitled, 1975, gelcoat Courtesy of Fountain Gallery of Art, Portland 54 . Untitled, 1975, gelcoat Courtesy of Fountain Gallery of Art, Portland Also represented by Linda Farris Gallery, Seattle 67. Location for Distant Travel, 1975, encaustic on canvas Courtesy of the artist Represented by Foster/White Gallery, Seattle McCracken, Philip 68. Night Bird, 1974, yew wood Collection of Tacoma Art Museum Mcintire, Scott 69. Floating Paper with Red X, 1975, watercolor and prisma-color pencil on paper Courtesy of Foster/White Gallery, Seattle 70. Study for Five Black Squares, 1975, lead and prisma-color pencil on paper Courtesy of Foster/White Gallery, Seattle Kelly, Charles 55. lso Study #4, 1974-75, steel and ferro-concrete Courtesy of the artist Meitzler, Neil 71 . Untitled - Green, 1975, acrylic on canvas Courtesy of the artist 56. lso #5, 1975, stainless steel and ferro-concrete Courtesy of the artist 72. Untitled - Yellow, 1975, acrylic on canvas Courtesy of the artist Represented by Fountain Gallery of Art, Portland Represented by Gordon Woodside Gallery, Seattle Kelly, Lee 57. Untitled, 1975, welded corten steel Courtesy of Polly Friedlander Gallery, Seattle Morris, Carl 73 . Spacefall, 1975, acrylic on canvas Courtesy of Gordon Woodside Gallery, Seattle 58. Untitled, 1975, welded corten steel Courtesy of Polly Friedlander Gallery, Seattle 74. Transient Red, 1975, acrylic on canvas Courtesy of Gordon Woodside Gallery, Seattle Kirk, Chris 59. Untitled, 1975, acrylic on canvas Courtesy of Dootson-Calderhead Gallery, Seattle 60. Van Mar, 1975, acrylic on canvas Courtesy of Dootson-Calderhead Gallery, Seattle Lundin, Norman 61 . Model in My Studio Standing, 1975, oil on canvas Courtesy of Francine Seders Gallery, Seattle Also represented by Fountain Gallery of Art, Portland Morris, Hilda 75. Double Round, 1972, bronze Courtesy of Gordon Woodside Gallery, Seattle 76. Mountain Range, 1971, bronze Courtesy of Gordon Woodside Gallery, Seattle Also represented by Fountain Gallery of Art, Portland 62. Reclining Model, 1975, oil on canvas Courtesy of Francine Seders Gallery, Seattle Nelson, Maxine 77. Double Trigram, 1975, encaustic and mixed media Courtesy of Foster/White Gallery, Seattle Maki, Robert 63. Untitled E, 1975, aluminum Courtesy of the artist 78. Trigram Series, 1975, encaustic and mixed media Courtesy of Foster/White Gallery, Seattle Mason, Alden 64. Blue Zinger, 1975, oil on canvas Courtesy of Polly Friedlander Gallery, Seattle Okada, Frank 79. Blue Ashes, 1974, oil on canvas Courtesy of Foster/White Gallery, Seattle 65. Brown Blusher, 1975, oil on canvas Collection of Mr. and Mrs. Wilbert Anderson, Mercer Island 80. Time Cycle, 1974-75, oil on canvas Courtesy of Foster/White Gallery, Seattle McClelland, Steve 66. Bassano Bridge, 1975, encaustic on canvas Courtesy of the artist Parker, Lucinda 81. Calanque, 1975, acrylic and rhoplex on canvas Collection of Dr. and Mrs. Robert Doughton, Portland �82. Katadin/Katadin, 1975, acrylic and rhoplex on canvas Courtesy of Fountain Gallery of Art, Portland Also represented by Foster/White Gallery, Seattle Shores, Ken 83. Fetish #20, 1975, stoneware, feathers and acrylic Courtesy of Fountain Gallery of Art, Portland 84. Fetish #21, 1975, stoneware, feathers and acrylic Courtesy of Fountain Gallery of Art, Portland 85. Fetish #22, 1975, stoneware, feathers and acrylic Courtesy of Fountain Gallery of Art, Portland Also represented by Foster/White Gallery, Seattle Sundance, Bonnie 86. Earth-Water-Sky Totem, In Celebration Series, 1975, color photograph Courtesy of the artist 87. O! In Celebration Series, 1974, color photograph Courtesy of the artist 88. Tree Beings, In Celebration Series, 1973, color photograph Courtesy of the artist 89. Womyn's Womyn, In Celebration Series, 1975, color photograph Courtesy of the artist Tsutakawa, George 90. Bowron Lake, 1974, sumi ink on mulberry paper Courtesy of the artist 91 . Unity, 1975, teak Collection of Ethnic Cultural Center, University of Washington Widman, Harry 92. Magician Rearing, 1975, oil on canvas Courtesy of Fountain Gallery of Art, Portland 93. Venus Image I, 1975 Courtesy of Fountain Gallery of Art, Portland Wilson, Don 94. Manzanite Series #2 , 1975, Idaho travertine Courtesy of Fountain Gallery of Art, Portland 95. Multnomah Second Series #2, 1975, Indiana limestone Courtesy of Fountain Gallery of Art, Portland 96. Multnomah Second Series #3, 1975, Montana travertine Courtesy of Fountain Gallery of Art, Portland Yoder, Richard 97. Paper Tiger #1, 1975, oil on panel Courtesy of Polly Friedlander Gallery, Seattle 98. Paper Tiger #3, 1975, oil on panel Courtesy of Polly Friedlander Gallery, Seattle Many works are for sale. Contact the Sales Desk for purchases. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Northwest Artists Today, Part II Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Northwest Artists Today, Part Two Northwest Artists Today - Part 2: Painting and Sculpture Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource Checklist for Northwest Artists Today - Part 2, held December 13 1975 - January 11, 1976. Includes an introduction by Charles Cowles, Curator of Modern Art at Seattle Art Museum. Type The nature or genre of the resource text | image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant December 13, 1975 - January 11, 1976 Creator An entity primarily responsible for making the resource Seattle Art Museum Publisher An entity responsible for making the resource available Seattle Art Museum Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1975-1976 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Modern Art Pavilion Northwest Annual Exhibition Seattle Art Museum Pavilion https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/7c13c4fba493959521a84b5ab82da68f.pdf?Expires=1773878400&Signature=Fh7af7d53E0MaRpTP4ZjVhsNGjhe%7E6cMKhBBs-OGf3A2FAclYXUyVote7WJDIt6MAyQwFFrViY3I80HTnHzy96GwPnVIF85tpD9E3vWM3DFtYirCDHgLtGZJzWhGUgCO2UlJ5jqoAMQ8opjza4BtRTHeN52QDDY5gVsBV43V%7ExmPmGCQ5V1ZC8C8k4ikv-yIoozDSbIQK%7Ehij8UxAczjqsqUJJ9BUdMYQDbBk317whrpa6JsydjJJe-SN%7E4XmxiCnIvW%7Es63aErSzQkSvpfWF0urx4UWK1zQKss3GnubOLXDjgoMyUy1Cx4BtFDyEIp4ZjYQRAxcYAU8o%7Eprx56rpQ__&Key-Pair-Id=K6UGZS9ZTDSZM dfee9cf161f7288abb7c8c07267bd7bd PDF Text Text nORTHWE/T ART TODAY- PART I Seattle Art mu1eum - Vol.Pork September 19-0ctober 12 1975 �When I first arrived in Seattle and examined the recent history of the Northwest Annual , I was disturbed to find that many of the well-known artists in the community did not enter the Annual; and if an artist entered the competition he was judged solely on one work. Perhaps, it is time for a more comprehensive survey of what is happening now in the community. Therefore, a series of invitational shows called Northwest Artists Today has been organized. Works on Paper is part one of this on-going series. The major prerequisites for this exhibition were that the artist's works be on paper and that only current works be exhibited. In cooperation with the aims of Capitol Hill Arts on Show a second consideration was the artist be associated with Seattle. In the exhibition you will find artists well-known in the community whose work the public normally does not associate with paper. Also, photographers are often overlooked in this category. Even one's associations with paper works will change because of the new qualities of scale, plasticity, texture, media and innovations of traditional media on paper. Charles Cowles Curator of Modern Art Seattle Art Museum �CHECKLIST 27. High Protein Breakfast, 1974, color photograph Private collection , Seattle Many works are for sale . Contact Sales Desk for purchases. 28. Map of the Unknown World, 1974, color photograph Courtesy of the artist Anderson, Guy 1. Crucifixion, 1974, oil on building construction paper 29-32. Ballet Series, Nos. 1-4, 1975, black and white photographs 2. Seed , 1974, oil on building construction paper Courtesy of Francine Seders Gallery, Seattle Angeloff, Alix Denzler 3. Diptych: View from the Convent Window, 6/1975, gouache 4. Red Roof, 6/1975, watercolor Courtesy of the artist Banks, Virginia 5. Many Moons, 1974, transparent watercolor 6. Sunfish Family, 1974, transparent watercolor Courtesy of Foster/White Gallery, Seattle Burns, Marsha 7-14. Save Your Auditions for Somebody Who Hasn't Got So Much to Lose. I've Seen that Movie Too, Nos. 1-8, 1975, toned silver photographs Courtesy of the artist Burns, Michael 15. Photograph, 1974, silver print 16. Photograph, 1975, silver print 17. Photograph, 1975, silver print 18. Photograph, 1975, silver print 19. Photograph, 1975, silver print 20. Photograph, 1975, silver print 21. Photograph, 1975, silver print 22. Photograph, 1975, silver print Courtesy of the artist J 33. Clothespin Doll, 1975, color photograph Courtesy of the artist Gardiner, Michael 34. Huntsman's Ritual , 5/2/1975, watercolor 35. Polyglottous Beast Skating on Parquetry, 8/19/1975, watercolor Courtesy of Polly Friedlander Gallery, Seattle Gesinger, Michael 36-38. Untitled Nos. 1-3, 1975, black and white photographs 39. Untitled No. 4, 1975, black and white photograph 40. Untitled No. 5, 1975, black and white photograph 41 . Untitled No. 6, 1975, black and white photograph 42 . Untitled No. 7, 1975, black and white photograph Courtesy of the artist Goldberg, Joseph 43. Legend View, 1975, oil 44. Moon Over Rattlesnake Creek, 1975, encaustic and mixed media Courtesy of Francine Seders Gallery, Seattle 45. Navajo Skyline, 1975, oil Collection of Michael Spiegel, Seattle 46. Rattlesnake Creek, 1975, oi! 47. Rim Rock, 1975, oil 48. Signal Peak, 1975, oil 49. Valley Floor, 1975, oil Callahan, Kenneth 23. Expanded Landscape Series No. 4, 1974, oil 50. West of Del Rio, 1975, oil Courtesy of Francine Seders Gallery, Seattle 24. Expanded Landscape Series No. 5, 1974, oil Courtesy of Foster/White Gallery, Seattle Hazel, Stephen 51 . Beautiful Display 5 (Amor Sin Lingua) , 1974, sosaku-hanga I Cone, Cheryl and Fred 25. Cone Totem, 1975, baled paper, 2 tons Courtesy of the artists and Associated Grocers of Seattle 52. Beautiful Display 6 (Los Cielos Estero) , 1975, sosaku-hanga 1/10 Gardaya, Victor 26. Don't Forget Your Vitamins, 1974, color photograph Courtesy of the artist 54. Mindreader Ch . 5: Prince in the Video Landscape, 1975, photograph, trial proof a Courtesy of the artist 53. Beautiful Display 8 (Two Beaches in Kaui), 1975, lithograph 2/10 �Law, Carolyn 75 . Edging Layers, 1974, intaglio/relief 5/10 Helmich, Karin 55 . Don, 1974, graphite Courtesy of Polly Fr iedlander Gallery, Seattle 56. Twisted , 1975, graphite Collection of Polly Friedlander, Seattle Horiuchi, Paul C. 57 . Just Blue No . 1, 1973, collage on canvas 58 . Ritual , 1975, collage on canvas Courtesy of the artist 76. Air Transparency, 1975, intaglio/relief 4/5 j Jeffcott,John 59 . Untitled No . 1, 1975, ink on folded paper 82. The Wolf in Sheep's Clothing (Aesop 's Fables) , 1969-70, i nk 83 . Two Frogs (Aesop's Fables) , 1969-70, ink Collection of Mrs. Jacob Lawrence, Seattle Jensen, R. Allen 62 . DaVinci D'Composition, 1975, collage Luce, Charles 84. Four in Hand, 1975. graphite on rag paper 63 . Interchangeable with My Valley, 1975, collage Courtesy of Linda Farris Gallery, Seattle 85. Hand Painted Sign , 1975, sprayed acrylic and graphite on backdrop paper Jones, Thomas William 64 . Blue Trim, 10/1974, watercolor Collection of Mr. and Mrs. Walter J. Shields, Seattle 86. Known Horizon , 1975, graphite on rag paper Courtesy of Linda Farris Ga llery 65 . Morning Light, 1974, watercolor Collection of Mr. and Mrs. Thomas W. Barwick, Seattle Macapia, Paul 87. Untitled , Winter 1973, color photograph 66. Winter Sun, 1975, watercolor Collection of Mr. David E. Maryatt , Seattle King, Billy 69 . The Death of Juan Peron : The Casket Scene, 1974, pastel and pencil Lawrence, Jacob 79. The Hare and the Tortoise (Aesop 's Fables), 1969- 70, ink 81 . The Porcupine and the Snakes (Aesop's Fables) , 1969-70, ink 61 . Untitled No . 3, 1975, ink on folded paper Courtesy of Polly Friedlander Gallery, Seattle 68 . Crystal Ship, 1975, gouache Collection of Mr. and Marshall Hatch , Seattle 78 . Untitled , 1975, intaglio/relief 4/5 Courtesy of the artist 80. The M ice in Council (Aesop's Fables) , 1969-70, ink 60. Untitled No. 2, 1975, ink on folded pape r Kenney, Leo 67 . Diamond Lens, 1974, gouache Collection of Dr . and Mrs . Hershel L. Roman , Seattle 77. Paper Layers, 1975, emboss/relief 88. Sea of Grass No. 1, Winter, 1973, color photograph 89 . Sea of Grass No. 2, Summer 1974, color photograph l 90. Alder Wood Nos . 1-3, Spring 1974, color photograph Courtesy of the artist Mackie, Jack 91 . Postcard Series No . 17, 6/1975 , tinted photograph 92. Untitled No . 5, Trembler : Box of Clouds Series, 8/1975 , tinted photog raph 70. Deco Fascism : II Duce, 1975, pastel , oil and pencil Courtesy of Polly Friedlander Gallery, Seattle 93. Untitled No . 6, Trembler : Box of Clouds Series, 9/1975 , tinted photograph Lambert, Gordon 71 . (Model), Monitor , First Model , 1975, gouache and acrylic on cardboard 94. Untitled , 8/1975, tinted photograph 72. Monitor , 1975, gouache 95 . Untitled , 8/1975 , tinted photograph Courtesy of the artist 73. Turreted Monitors, 1975 , gouache Mee, Nancy 96 . Untitled, 7/1975, mixed media 74 . Merrimac, 1975, gouache Courtesy of Polly Friedlander Gallery, Seattle 97. Untitled , 1975 , watercolor and collage Courtesy of the artist �Messchaert, Laurie 98 . Butterfly Bough, 1975, mixed media 120. Sunflower, 1975, sosaku-hanga Courtesy of the artist 99. Cloud Box, 1975, mixed media Courtesy of Polly Friedlander Gallery, Seattle Paulson, Don 121 . View from My Studio Window, 1974, watercolor and tempera Miller, Charles 100. Mass of Nuns at Port Angeles, with Signal to Victoria Islands, 1975, watercolor 101. Nun Group at Signal No. 4, 1975, watercolor Courtesy of Foster/White Gallery, Seattle Millett, Peter 102. Untitled No. 3, 1975, watercolor, pen and ink 103. Untitled No. 5, 1975, watercolor, pen and ink Courtesy of Polly Friedlander Gallery, Seattle Morse, Emily Hall 104. The Coast of Yamamuro, 1974, collage on canvas 105. Falling Water, 1975, collage on canvas Courtesy of Foster/White Gallery, Seattle 122. Mt. Rainier from Paradise Valley, 1975, watercolor and tempera Courtesy of Foster/White Gallery, Seattle Rabel, Kathleen J. 123. The Orange Thread, 1975, intaglio/chine-col le 124. Trinity, 1975, intaglio Courtesy of the artist Rawn, Polly 125. Ill , 1974, oil 126. IV, 1974, oil Courtesy of Foster/White Gallery, Seattle Ritchie, Bill 127. Space-ship Crash - 20Views, 1975, decoupage Nelsen, Hans 106. House, 12/1974, pen and ink on English rag paper 128. Space-ship Crash - 20 Views (Landscape), 1975, decoupage, ink and acrylic 107. Plane, 12/1974, pen and ink on English rag paper 129. Space-ship Crash - 20 Views (Can Video) , 1975, intaglio/relief/ collage, state 2, no. 1 108 . Untitled, 12/1974, pen and ink on English rag paper Courtesy of Polly Friedlander Gallery, Seattle 109. Untitled, 12/1974, pen and ink on English rag paper Collection of Claudia Gorbman, Seattle 110. Untitled, 12/1974, pen and ink on English rag paper Courtesy of Polly Friedlander Gallery, Seattle ) - 111 . View of lka, 12/1974, pen and ink on English rag paper Collection of Wesley Wehr, Seattle Olson, Greg 112. Bird on the Wire, 1974, color photograph 113. Dream Field, 1974, color photograph 114. Skagit Fire, 1974, color photograph 115. Light Lunches, 1975, color photograph 116. Sammanish Split, 1975, color photograph 117. Snow Belly, 1975, color photograph Courtesy of the artist 130. Space-ship Crash - 20 Views (Blue), 1975, intaglio/relief/collage Courtesy of the artist Sato, Nori 131 . Video Sunrise II: Zoom In, 1974, intaglio/relief 132. Edge/Glass with Shadow, 1975, lithograph 2/10 133. Edge/Glass II, 1975, lithograph 134. Edge/Glass Horizon, 1975, intaglio/relief/lithograph Courtesy of the artist Skilling, Susan 135. Angle of Incidence, 1975, watercolor 136. Phi, 1975, watercolor Courtesy of Foster/White Gallery, Seattle Steele, Kim 137. Friends, 1974, black and white photograph 138. Oaks, 1974, black and white photograph 139. Figures No. 3, 1975, black and white photograph Overton, John 118. Crown of Thorns, 1975, sosaku-hanga 3/10 140. Ladies in Waiting, 1975, black and white photograph 119. Starters, 1975, sosaku-hang a 141 . Untitled No. 1, 1975, black and white photograph �142. Untitled No . 2, 1975, black and white photograph 143. Untitled No. 3, 1975, black and white photograph 144. Untitled No. 4, 1975, black and white photograph Courtesy of the artist Steinberg, Ron 145. Cast Light, 1974, photograph , silver print 146. Enclosed White, 1974, photograph, silver print 147. Half-a-Hoop, 1974, photograph, silver print 148. Painted Arc, 1974, photograph, silver print 149. Spiral Paint Form, 1974, phot ograph, silver print 150. Excelsior, 1975, photograph , silver print 151. Spirals, 1975, photograph, silver print Courtesy of the artist Stokes, Charles 152. The Shield of the Seraphim, 1974, gouache 153. Clinging to the Net, 1975, gouache Courtesy of Foster/White Gallery, Seattle Turnbow, Jon 154. Print-out Pieces (An Essay on Contemporary Mores), 1975, felt tipped pen and spray paint Courtesy of the artist Watanabe, David V. 155. 70 Yellow, 1975, color photograph 156. Black Barrel, 1975, color phot ograph 157. Midnight Brown, 1975, color photograph 158 . Paint and Rust, 1975, colo r photograph 159. Red Barrel , 1975, color photograph 160. Welded Arc, 1975, color photograph Courtesy of Foster/White Gallery, Seattle Wigginton, Ron 161. Evening Puzzle, 1975, acrylic and dye on Arches paper 162. Morning Puzzle, 1975, acrylic and dye on Arches paper Courtesy of Foster/White Gallery, Seattle Wiater, Michael 163. The One That Didn't Get Away, 1975, electrostatic print Courtesy of the artist � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Northwest Art Today - Part I Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Northwest Art Today - Part One Northwest Art Today - Part 1: Works on Paper Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource Checklist for Northwest Artists Today - Part 1: Works on Paper, held September 19 - October 12, 1975. Includes an introduction by Charles Cowles, Curator of Modern Art at Seattle Art Museum. Type The nature or genre of the resource text | image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant September 19 - October 12, 1975 Creator An entity primarily responsible for making the resource Seattle Art Museum Publisher An entity responsible for making the resource available Seattle Art Museum Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1975 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Northwest Annual Exhibition Volunteer Park Building https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/9a96b454516db39b527f89e093282a6f.pdf?Expires=1773878400&Signature=FE86S7DaSACIl330LQwJwSXR5LoDT81oPB5dYxw8CYeM1O-LY5tU7PxfwflLn1f-Q2p7T2X-R5XhHQOkO1mToiIwnVdX4S2xuinsyJQo%7EeeLPEzSjJaq1P0Q-7qVjFVOyMKzqcfVbSGgvorxWvTV7F5xIy45crl9yil9KQqHJQgv6Tfvd92Cnr-iChOOPuX0mDjD%7EgKr-2jjqi9lRFY%7EXN7PBhz71ATacY2jXxfdeZtKeNVlRIA2TkP2yOxxz9PeC0I3US%7EOrWpyF8n-bZzQyVb%7EzPdpjHo-M4Ezu-a0nIKSQ2u3VqfR8iYmCx6lR7tZFqnujR3OjclZeE9oadX%7EVQ__&Key-Pair-Id=K6UGZS9ZTDSZM b5841d9b3e838f07f6f349f63a036737 PDF Text Text Washington 60TH ANNUAL EXHIBITION OF NORTHWEST ARTISTS DEC.13, 197~-JAN.191975 SEATTLE ART MUSEUM PAVILION �*Awards JURY Jim Allyn, Seattle 1 untitled #11, acrylic, enamel, canvas James B. Byrnes, Director, Newport Harbor Art Museum, Newport Be3ch, California. Suzanne Foley, Curator, San Francisco Museum of Art Willis F. Woods, Director, Seattle Art Museum Tom Askman, Cheney, Wa. * 2 Painting No . 2, acrylic $ 1, 100 $ 1,200 Art Barker, Seattle 3 Trotte-menu, mixed media $ 650 George Bishop, Bellingham, Wa. 6 North West Nail Container, wood sculpture $ 500 Tom Blue, Seattle 7 Eddy Merckx, oil The Pacific Northwest Arts and Crafts Foundation Award of $300 in any medium Ann B. Campion, Seattle, Arizona Snapshot, acrylic $ 1,000 Katherine Baucke, Ellensburg, Wa. 5 All Quiet on the Western Front, oil, enamel, chalk Charles and Esther Webster Prizes First - $500 - Dustin Washington, Seattle, Sailor Dreams of Home: See at Night, mix'n match Second - $300- Elizabeth Sandvig, Seattle, The Transparent Brick Wall, aluminum screen sculpture Third - $200 - Tom Askman, Cheney, Washington, Painting No. 2, acrylic $ Donald James Barrie, Seattle 4 Teresa, synthetic AWARDS $ 700 The Puget Sound Group of Northwest Painters Award of $200 in Memory of Eustace P. Ziegler Judy Cooke, Portland, Oregon, Drawing Tablet, acrylic/chalk Stu Branston, Seattle * 8 Trinity, lacquer over welded steel sculpture The West Seattle Art Club, Katherine B. Baker Memorial Award of $100 Laurie V. Messchaert, Seattle, Square October, acrylic/oil pastel Hal Buckner, Gig Harbor, Wa. 9 Man & Earth #14, stainless steel & acrylic Louis Bunce, Portland, Or. 10 HS #4-74, oil The Lambda Rho Alumni, Inc. Award of $50 Stu Branston, Seattle, Trinity, lacquer over welded steel Ann B. Campion, Seattle *11 Arizona Snapshot, acrylic Special Mention Stephan Soihl, Portland, Oregon, untitled sculpture, polyester resin and fiberglas 500 $ 1,800 $ 800 $ 2,100 350 Bibiana Castillano, Seattle 12 My Uncle's Hacienda, acrylic $ 150 Francis Celentano, Seattle 13 Iota #25, acrylic $ 950 Carolyn J. Cole, Portland, Or. 14 Untitled, acrylic/canvas Nominated by the Jury for Solo Exhibitions Sheryl Funkhouser, Portland , Oregon Chas. B. Luce, Seattle Dustin Washington, Seattle $ $ 500 $ 450 Judy Cooke, Portland, Or. *15 Drawing Tablet, acrylic/chalk John Rogers Cox, Chelan, Wa. 16 Scales Mound, oil ~ $12,500 Johna Cronk, Moscow, Id . 17 In Memory of Eva Hesse, acrylic on muslin $ 500 Ford Crull, Jr., Seattle 18 Chari II, mixed media $ 475 �Michael Dailey, Seattle 19 Twilight Beach #2, oil on paper $ 300 James L. Hockenhull, Pullman, Wa. 37 The Artist's Craft, watercolor $ 65 John Dobereiner, Victoria, B.C. 20 Two Please, acrylic $ 800 Jaines Holl, Seattle 38 I Was Transparent for a Few Months Last Year, oil $ 400 Karon Richardson Doherty, Sequim, Wa. 21 To: E. Hesse, mixed media $ 300 Dorset Huntingford, S. Burnaby, B.C. 39 untitled, oil $ 500 Norman Elder, Seattle 22 Apologies to Paradise, oil $ 640 Roland Hurd, Seattle 40 Racer, acrylic $ 700 Electranz, Seattle 23 Electrick Car Zoom, fabric sculpture $ 300 John A. Jeffcott, Seattle 41 untitled, ink on folded paper $ 300 Tom Fawkes, Portland, Or. 24 The Old Gents Canoe in Storage at Berkeley, acrylic on linen $ 500 Margaret Ford, Seattle 25 T.V. Lamp with Snails Rampant, ceramic sculpture $ 350 Chris Fox, Seattle 26 untitled, acrylic $ 300 Christine Fry-Loftis, Portland, Or. 27 Study in Blue and Green No. 2, acrylic N.F.S. Sheryl Funkhouser, Portland, Or. 28 Zigs Night Out, acrylic, canvas collage $ 300 Mark Gadsby, Missoula, Mt. 29 Asparagus Moon, ceramic sculpture $ 100 Jonn H. Geise, Seattle 30 Neon Landscape, glass neon light sculpture $ 1,400 Peter R. Giltner, Portland , Or. 31 Salmon Oiler, cast bronze, copper, leather, shell , chain, iron, sculpture $ 500 Madge G. Gleeson, Pullman, Wa. 32 Rya, silkscreen and acrylic $ 250 Richard L. Goss, Kent, Wa. 33 Jet Stream, foam construction, sculpture $ 175 Robert J. Hanson, Portland , Or. 34 The History of Air, oil/canvas $ 450 David Hauck, Portland, Or. 35 untitled, oil $ 400 Georg Heimdal, Spokane, Wa. 36 Limp Lickers Astounded by the Knot Garden, mixed media $ 300 Ask man �Branston Sandvig Cooke �June Johnson, Ellensburg, Wa. 42 No-Sign, oil $ 150 Emily Hall Morse, Bellevue, Wa. 60 Legato Rosso, casin collage $ 700 Langdon 0. Johnson, Lynnwood, Wa. 43 Dawn , oil $ 750 Michael Murphy, Seattle 61 Tove II, acrylic $ 400 Maxine Nelson, Seattle 62 Window Pane, encaustic $ 500 V'Lou Oliveira, Seattle 63 Excerpt from Drawing #3, low fire ceramic sculpture $ 250 Leslie V. McKay Johnson, Seattle 44 Dinner for Four, earthenware & mixed media sculpture $ 500 Nancy N. Johnson, Seattle 45 Stinson Beach 1963, oil $ !· 800 ... Andrew Keating, Seattle 46 Tryst, acrylic $ 600 Greg Olson, Bellevue, Wa. 64 Resting Place of the Original Twelve, wood, lead , house paint Edwin B. Koch, Eugene, Or. 47 John Stuart Mill 's Chimney, acrylic $ 800 Howard Kottler, Seattle 48 Squirrel Heaven , ceramic/plexiglass sculpture Louis Otto, Seattle 65 Untitled, oil + enamel on canvas $ 500 $ 250 R. W. Overfield, Seattle 66 Microencapsulated, acrylic $ 800 Craig Langager, Seattle 49 Blue Grass, acrylic rhoplex $ 750 Virginia Paquette, Seattle 67 Sea Pickle, oil $ 135 Beatrice Powell, Oak Harbor, Wa. 68 Coupeville Festival , acrylic $ 500 Robert B. Price, Seattle 69 Untitled Landscape, oil $ 500 $ 700 Nancy Lee, Seattle, 50 Man/Bird/Moon Spirit, mixed media N.F.S. N.F.S. Lanny Little, Oregon City, Or. 51 Stelliform Triptych , acrylic $ Chas. B. Luce, Seattle 52 Corfu, synthetic $ 1,200 Lewis Rakosky, Portland, Or. 70 Untitled sculpture, glass, hay, potting soil, rhoplex Laura Maakestad, Ellensburg, Wa. 53 Untitled, oil $ 275 M. Jeannie Reichert, Redmond, Wa. 71 Purple Gothic, acrylic Sherry Markovitz, Seattle 54 Chapter Two, gouache $ 100 Dan Rice, Ellensburg, Wa. 72 Precariously in Check, oil $ 200 Alden Mason, Seattle 55 Orange Wow! , oil $ 1,500 Richard Robertson, Seattle 73 Waterscape #15, acrylic $ 800 Stephen McClelland, Seattle 56 Lemone Calda, acrylic $ 550 Loren Salazar, Seattle 74 As Safe As Yesterday Is, acrylic Thomas McClelland, Bellingham, Wa. 57 Tied Vertical , mixed media sculpture $ 600 $ 400 Laurie V. Messchaert, Seattle *58 Square October, acrylic/oil pastel Jacques Thornton Moitoret, Seattle 59 Ascension , oil 800 $ 6,000 ·, ; 1.. Steven Samuelson, Seattle 75 Aperature of Apallo, metal sculpture Elizabeth Sandvig, Seattle • 76The Transparent Brick Wall, aluminum screen sculpture $ 1,119.42 N.F.S. $ 1,200 $ 720 �Tad L. Savinar, Portland, Or. 77 Pop Three, Win an Invisible Dog, mixed media $ lkune Sawada, Seattle 78 Nishiki, oil $ 1,600 Phillip Schwab, Bellingham, Wa. 79 Broken Stem, Nooksack Valley, cedar, wool, rafia sculpture $ Myrna Shenkler, Kennewick, Wa. 80 Floor Painting, muslin and acrylic $ 385 200 200 L. Sherman, Everett, Wa. 81 Mild Steel, welded steel sculpture $ 500 William Peter Sildar, Seattle 82 Homage to the Evolution of a Caterpillar II, wood sculpture $ $ $ $ $ $ $ $ Richard Yoder, Seattle 98 Literal Connection , oil on masonite $ 900 Jon Zimmers, Portland , Or. 99 Untitled, synthetic media $ 300 250 Chuck Vlsgatis, Corvallis, Or. 90 Formal Statement, plexiglas & paint sculpture N.F.S. 300 Gene Vike, Bellingham, Wa. 89 Duo-focal Serial with Silver, mixed media on paper Lucinda Wilner, Bellingham, Wa. 97 The Illusionist, oil 500 Anthony Turpin, Oak Harbor, Wa. 88 Machine, mixed media 200 500 lthipol Thangchalok, Seattle 87 Nocturnal Space, oil & acrylic $ 800 Paul J. Sparks, Olympia, Wa. 86 Rainbow Ladder, fabric & wood sculpture Frank Wieditz, Marysvil le, Wa. 96 Sabra, acrylic 500 $ 225 800 James G. Slattery, Portland, Or. 84 Suspended Hope, mixed media $ 600 Greg Skinner, Seattle 83 Untitled sculpture, glass/aluminum Jan H. Wick, Seattle 95 Dual, lacquer on canvas 800 Stephan Soihl, Portland, Or. *85 Untitled sculpture, polyester resin and fiberglas John Vlahovich, Tacoma, Wa. 91 Ted & Sherry's, mixed media Mike E. Walsh, Eugene, Or. 92 2020 Series, Bone/Egg Fragment, mixed media sculpture Dustin Washington, Seattle *93 Sailor Dreams of Home: See at Night, mix'n match John Wharton, Seattle 94 Newhope V, plexiglas + glass sculpture N.F.S. $ 100 $ 500 $ 800 Campion �Messchaert � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sixtieth Annual Exhibition of Northwest Artists Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. 60th Annual Exhibition of Northwest Artists Sixtieth Northwest Annual Exhibition Checklist Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource Checklist for the 60th Annual Exhibit of Northwest Artists, held December 13 1974 to January 19, 1975. Includes the jury of selection, The Charles and Esther Webster Prize winners, the Pacific Northwest Arts and Crafts Foundation Award winner, the Puget Sound Group of Northwest Painters Award winner, the West Seattle Art Club Katherine B. Baker Memorial Award winner,the Lambda Rho Alumni Inc. Award winner, a special mention, and a list of artists nominated by the jury for solo exhibitions. Jurors: James B. Byrnes, Suzanne Foley, Willis F. Woods Type The nature or genre of the resource text | image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant December 13, 1974 - January 19, 1975 Creator An entity primarily responsible for making the resource Seattle Art Museum Publisher An entity responsible for making the resource available Seattle Art Museum Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1974-1975 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Modern Art Pavilion Northwest Annual Exhibition Seattle Art Museum Pavilion https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/3b46e2d4bf668efd430a04ecd504eeb7.pdf?Expires=1773878400&Signature=mrGldRrvDbKc7ymjoeM1SIn2LWR0rS52zbry--UF%7E%7EhIUc0AySBNygVO0WOcVXt%7EteW20dmfSHU9cyw8L5K5ObFeHIM79FLoFsxwBe36DBpTTROdaZiXOY3pQQD%7EB6tFcoADi4tatagi2YvD3VhUcMxpmz4ZdoUBHP2EpYoMY56UU7pSJbYrLKElIW-8Of5Z%7EteVDspwfjmEAC7eL51I97k%7EcFsLfHIdCG%7EK3kGG63w-V3MaCuSDFEbOuTJEDqexx0FDYli9kfR%7EKqCQMsg4Y6%7EY7mEQsIJqMjsWf6oW4AK-tDXGFpIowOStVzSmRiPcR1GUJGXcPEWRgeI5UCX1UQ__&Key-Pair-Id=K6UGZS9ZTDSZM 9cd940cf66f79a556abde15c2d7fec5c PDF Text Text Calendar 3. Accepted entries will not be released until the end of the exhibition and may be picked up between January 22 and February 12, 1975. 4. Unclaimed entries become the property of the Seattle Art Museum after 6 months (July 26, 1975). Exhibition dates: December 13, 1974-January 19, 1975 Hand entries accepted only between Tuesday, November 5 and Saturday, November 9 to 5 p.m. Last day for all entries and entry blanks - Saturday, November 9 to 5 p.m. Preview and Reception - Thursday, December 12, 1974. FOR RETURN OF WORK ON SATURDAYS OR SUNDAYS ARRANGEMENTS MUST BE MADE IN ADVANCE. CLOSED MONDAYS. Jury Entry Rules James B. Byrnes, Director, Newport Harbor Art Museum, Newport Beach. California Suzanne Foley, Curator, San Francisco Museum of Art William F. Woods, Director, Seattle Art Museum l. Only artists residing in Washington, Oregon, Montana, Idaho, British Columbia, and Alaska are eligible. 2. Original works in painting (oil, tempera, watercolor, synthetic media) and sculpture. (Pastels, drawings, prints and work done under instruction are not eligible.) 3. The purpose of the Annual is to exhibit and encourage new work. Conditions 1. The Museum will deduct a ten per cent commission on all sales from the exhibition. 2. While precautions will be taken to see that no damage occurs to entrees, the Museum assumes .no responsibility in case of loss or damage to submitted or accepted work. Instructions 1. Paintings must be appropriately framed. 2. No protruding nails, tacks, staples, screw eyes or wire; paint and varnish dry. 3. All works - painting or sculpture - must be assembled when submitted. 4. Large or bulky works received ONLY when notification given to Seattle Art Museum Pavilion in advance. The Museum reserves the right to reject entries too large to be accommodated or with unreasonably complicated installation requirements. 5. Fill out entry blank in full. Tear off lahel and attach to back of painting, upper right corner, or on sculpture. 6. ONE entry per artist. 7. All accepted entries will be exhibited, in nature and content, ONLY as presented to the Jury. AWARDS First -- $500 Second - $300 Third-$200 The Pacific Northwest Arts and Crafts Foundation Award of $300 in any medium. The Puget Sound Group of Northwest Painters Award of $200 in Memory of Eustace P. Ziegler. The West Seattle Art Club, Katherine B. Baker Memorial Award of$100. The Lambda Rho Alumni, Inc. Award of $50. PURCHASES Transport at ion The Seattle Art Museum expects to continue its practice of purchasing selected works from the exhibition. Peoples National Bank of Washington, who purchased ten works from the 59th Annual Exhibition of Northwest Artists, will be looking for additional pieces from the 60th Annual Exhibition to supplement its growing quality collection of Northwest Art. 1. Entries delivered by hand must be picked up by hand. 2. Shipped entries must be prepaid to Seattle Art Museum Pavilion, 2nd N. and Thomas St.. Seattle, Wa. 98109, to arrive on or before November 9. Use attached Shipping Label. 3. Shipped entries accepted, returned prepaid; shipped entries rejected, returned collect. Return of Work S()I..() 1. Works not accepted by the Jury must be picked up as soon as possible after receipt of Return Card and no later than December 19. Entries left after December 19 will be charged storage. 2. All shipped works not accepted will be returned collect. The Jury will be asked to nominate up to three artists as candidates for solo exhibitions to be held within the next year. The Museum staff will determine the candidates' qualifications for an exhibition on the basis of availability of additional work of sufficient quality. EXHIBITl()NS --- --------------------------------------- -- ---------------------------------r~--------------- ------- - - ----- --------------------- -------- 1 Entrv Blank .., 60th ANNUAL EXHIBITION OF NORTHWEST ARTISTS SEATTLE ART MUSEUM PAVILION Seattle Center, Seattle, Washington 98109 I enter work named below, subject to conditions in prospectus of this exhibition. Consent to reproduction is considered granted unless objection is noted in this space. Name _ _(PLEASE PRINT) I I I I I I I I I I I I I I I I < 0 z 8 Sculpture 0 Name of D e a l e r - - - - - - - - - - - - - - - - - - - - - - I I I I Birth Date Accepted !:; Q .... 0 Medium Painting ::C IU Price Title (Your Name) Your work named below, which was entered for the above exhibition, has come before the Jury, whose decision is indicated by the mark. I State _ _ _ Zip Code • Cay Seaule Art Museum Pavilion I I I Tel. No. 1ddress Return Card 60th ANNUAL EXHIBITION OF NORTHWEST ARTISTS I 0 Rejected I I I 0 I I Title Accepted 0 Rejected D Rejected work should be removed as soon as possible on receipt of this card and no later than December 19. Storage will be charged thereafter. All shipped works will be returned collect. Accepted work will not be released until the end of the show and may be picked up between January 22 February 12, 1975. Unclaimed entries become property of Seattle Art Museum after July 26, 1975. For return of work on Saturdays or Sundays, arrangements must be made in advance. Closed MONDAYS. NO WORK RETURNED WITHOUT THIS SLIP -------------------1----------L----------------------------------------------------------1 I I I Entry Label Detach this label and fasten to back of painting, upper right hand corner: or on sculpture. 60th Annual Exhibition of Northwest Artists Shipping Label I I I I I I l I From I I 1974-75 I I Seattle Art Must.>um Pavilion Seattle Center. Seattle, Washington I I I I I I I I I I I I I I Artist Address I 60th Annual Exhibition of Northwest Artists I Price Title City TO I I Seattle Art Museum Pavilion, Seattle Center I I I I I I I State Zip Code I I Second North and Thomas Street I I I I I I I I Seattle, Washington 98109 �PROSPECTUS OF THE Cl'.l rr:: > Cl'.l ::l 0 -3 <~ r- z- r .m ,...... -i ::El r-n > >-l ;> VJ,.., , to =to -i z m 3::: c::: () -0 ...:i >Vl 0 to tTl z r' \0 00 ,_. - t0 c::: 3::: Sixtit~tl1 A111111al Exl1ihitio-1 of 1 Nortl1west Artists Cf) -0 m :t> z co z . m --i ~ -c ::0--i-c-c:O ~~ ~!::£~ "'--i ' 0--i z ~ :t> -l 0 :t> . Ul ::r C) SEATTLE ART MUSEUM PAVILION SEATTLE CENTER 0 m ::0 C) DECEMBER 13, 1974-JANUARY 19, 1975 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prospectus of the Sixtieth Annual Exhibition of Northwest Artists Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Prospectus of the 60th Annual Exhibition of Northwest Artists Sixtieth Northwest Annual Exhibition Prospectus Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource Prospectus for the 60th Annual Exhibition of Northwest Artists, held from December 13, 1974 to January 19, 1975. Includes a calendar of dates and instructions for submission and transportation; a list of jury members, and awards for consideration; a detachable entry form to be mailed to Seattle Art Museum. Jurors: James B. Byrnes, Suzanne Foley, Willis F. Woods Type The nature or genre of the resource text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant December 13, 1974 - January 19, 1975 Creator An entity primarily responsible for making the resource Seattle Art Museum Publisher An entity responsible for making the resource available Seattle Art Museum Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1974-1975 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Modern Art Pavilion Northwest Annual Exhibition Seattle Art Museum Pavilion https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/bb2bb35ba6e17e4f8c29d380eb5b10cf.pdf?Expires=1773878400&Signature=inacgBj93FgnYegxIXmhwwEyZYH7GeRTUE46Qilonq0AqBEc%7EbjbdJyRhn4YSgymxECl208vSmCTnricKmv%7ExCT0obHNiMocB9eiocygcThCAlfzwOu5nrtBNwaEPg2ux55zF6IHM6Jyy5vX0%7Ef0XlGyeWePAl3rLiQd1UiDHsBgl3Taw8n0CYXBsQ8ooQ7wYDzRanB-UZih73DErKQB8HoOy-cnACVm1lp9AEWEkAFa2qtTm3ghlAra7SpfTCjDnqjOkJZCUfijrr1-mXdPs97C%7EzBpIB7GSkZisYfEEhK4KgvZEGOKr7n4bXhL6ses8CoOEnRz-WsQ2YeFlAeqMw__&Key-Pair-Id=K6UGZS9ZTDSZM e110ee4cb0f7758ca77f047f34620ebc PDF Text Text JANUARY 11 - FEBRUARY 24, 1974 · SEATTLE ART MUSEUM PAVILION FIFTY-NINTH ANNUAL EXHIBITION OF NORTHWEST ARTISTS �*Prize winners and Honorable Mentions Carolyn Adams, Tacoma, Wa. 1 Purdy Madonna, oil Parks Anderson, Seattle 2 Alaria 70, acrylic and polyester Dana Boussard, artist from Missoula, Montana, currently Artist in Residence, College of Great Falls, under a grant from the National Endowment for the Arts John C. Denman , collector, Bellevue, Washington Max Peter, Director of Permanent Collection and Gallery, Jewett Exhibition Center, College of Idaho, Caldwell PRIZES AND AWARDS Charles and Esther Webster Prizes First - $500 - Mary Farnham, Portland , Oregon, Art Commodity Art, wood, acrylic, eggshells Second - $300 - Judy Cooke, Portland, Oregon, Joshua 's Playground, mixed media Third - $200- Robert Price, Seattle, Small Figurative Painting No. 6, acrylic The Pacific Northwest Arts and Crafts Foundation Award of $300 in any medium Lawrence Beck, Conway, Washington, Sagscape lnua, aluminum The Puget Sound Group of Northwest Painters Award of $200 in Memory of Eustace P. Ziegler Robert Michener, West Vancouver, B.C., Howe Sound, oil The West Seattle Art Club Katherine B. Baker Memorial Award of $100 Richard Molander, Bozeman, Montana, At Least Let Me Tell You What Colors I Used, acrylic The Lambda Rho Alumni, Inc. Award of $50 Michael C. Spafford, Seattle, Laocoon, oil on canvas diptych Honorable Mentions Dwight C. Coburn, Seattle, Sculpture #7, plastic, wood, brass, fur Larry Heald, Mt. Vernon, Wa., The Painting Lesson, acrylic Robert Hutchinson , Seattle, Night Blooming Bopper, acrylic Leslie V. Johnson , Seattle, Plate Series #4 Dots/Lines/Ruffles, earthenware Ted Jonsson, Seattle, Paradigm Ill, stainless steel Mark Pedersen, Corvallis, Oregon, Black Box I, plexiglas & cast resin lkune Sawada, Seattle, Winter Mood, oil Ken Wallace, Vancouver, B.C., Instrument Approach, acrylic Theodore Waltz, Portland, Oregon, untitled, acrylic & oil Don Wilson , Portland, Oregon , Interlocking Forms #4, stone $ 800 Lawrence Beck, Conway, Wa. * 4 Sagscape lnua, aluminum Lee Kelly, Oregon sculptor Robin Mayor, Principal, Vancouver School of Art, British Columbia $ 500 V. Banks, Seattle 3 The Fifth Day, watercolor JURY $ 300 M I $ 500 N. Weston Betten, Seattle 5 Ms. Willendorf, oil N.F.S. Earl Biss, Wapato, Wa. 6 Thunder Egg , oil $1,200 Thomas Blue, Seattle 7 Pete's Wedding, oil N.F.S. Marc Boone, Portland , Or. 8 Some Green, oil and acrylic William S. Bowen, Tukwila, Wa. 9 Hollywood, wood , metal and plastic D. Alan Bradley, Seattle 10 Second Chance, acrylic Clint Brown, Corvallis, Or. 11 Standing, Nude, plastic $ 500 $ 350 $ 250 N.F.S. Louis Bunce, Portland, Or. 12 Harold St. #3, oil and wax $1,800 Blbiana M. Castillano, Seattle 13 The home where I raised my nine children, oil $ 350 Francis Celentano, Seattle 14 Iota #10, acrylic $ 950 Dwight C. Coburn, Seattle *15 Sculpture #7, plastic, wood , brass, fur $ 500 Judy Cooke, Portland, Or. *16 Joshua's Playground, chalk, wax crayon and watercolor $ 600 Barry Drost, Bellingham, Wa. 17 No . 2, acrylic $ 300 George S. Ellse, Pullman, Wa. 18 Line , silk screen paint on plastic $ 100 �Mary Farnham, Portland, Or. *19 Art Commodity Art, wood, acrylic, eggshells $ 450 Flora Fryer, Seattle 20 Apple Harvest, acrylic $ 350 John Gieser, Seattle 21 U.T.P., welded steel $ 950 Carol Goggio, Seattle 22 Clouds II, acrylic $ 300 John Hammack, Portland, Or. 23 Figure IX - Revolution Series MCLVlll-Plate XXll, oil $ 350 James Lee Hansen, Vancouver, Wa. 24 Naga Spore No. 2, cast bronze $6,500 Joanne Hayakawa, Seattle 25 untitled, ceramics $ 700 Larry Heald, Mt. Vernon, Wa. *26 The Painting Lesson, acrylic $1,000 Bill Hoppe, Seattle 27 Close Copy, acrylic, ink, graphite $ 900 Evelyn Horton, Tacoma, Wa. 28 Ford Sunday, U.S.A., oil $ 350 M. Arlyn. Hulinek, Seattle 29 Shadow, acrylic $ 300 Robert Hutchinson, Seattle *30 Night Blooming Bopper, acrylic $ 400 Michol Hutton, Bellevue, Wa. 31 Lydia, miscellaneous materials $ 400 Jay Jacobsen, Seattle 32 Left, Right-Right, Left, acrylic $ 500 Leslie V. Johnson, Seattle *33 Plate Series #4 Dots/Lines/Ruffles, earthenware . $ 325 Steven R. Johnson, Port Townsend, Wa. 34 Galatians 6:7; Space Ship Earth; Portrait, montage on steel-synthetic-media $ 250 Roger L. Jones, Seattle 35 Queen Anne Sprinkler, oil $ 500 MICHENER ��Ted Jonsson, Seattle * 36 Paradigm Ill, stainless steel Thomas B. Kauffman, Seattle 37 Channel , oil Jack Portland, Portland, Or. 53 It Must Have Been the Rice, oil on masonite from the collection of Dr. Melvin Sturman Robert Price, Seattle * 54 Small Figurative Painting No. 6, acrylic $1,500 Laura R. Levitt, Eugene, Or. 39 Still Life at United Airlines Good Time Wagon, oi l $ 300 Charles Loomis, Kirkland , Wa. 40 Fusion , oak, brass $ 600 Robert Lucas, Bainbridge Island, Wa. 41 As a Mountain Erodes, watercolor $ 190 J. Kenneth Malecki, Kent, Wa. 42 Zenith No. 2, synthetic paint $ 200 Alden Mason, Seattle 43 Garden Teaser, oil $1,400 Neil Meitzler, Kirkland , Wa. 44 Banners for Carrie, mixed media $ 900 Robert Michener, West Vancouver, B.C. *45 Howe Sound , oil $ 700 '• $ 800 Karen Wolfe Quimby, Seattle 55 Earth-sky No. 17, watercolor $ 600 Michael C. Knutson, Seattle 38 Lawnchair Triptych #6 High Noon, oil encaustic $ 600 $ 100 Peter G. Ramsey, Seattle 56 Dante Alighieri , The Divine Comedy Purgatory, Vol. II, Canto XIII "Girdle of the Mountain", acrylic $ 150 Frank Renlie, Seattle 57 Angie's Place, oil $ 200 Richard Robertson, Brownsville, Or. 58 Source #2, acrylic and oil $ 750 Loren Salazar, Seattle 59 Precip-anticipation, acrylic N.F.S. Elizabeth Sandvig, Seattle 60 Columns for Ozymandias, aluminum screen $ 400 lkune Sawada, Seattle *61 Winter Mood, oil $1 ,000 Quentin Searles, Naches, Wa. 62 Ensemble #17, mixed media $ 900 $ 200 Al Mooser, Portland, Or. 47 Speed , mixed media Evelyn Sheehan, Portland, Or. 63 Recycle Adam and Eve, acrylic/linen $ 450 $ 350 Miki Nakano, Seattle 48 Earth , oil Sage Sigerson, Bozeman, Mt. 64 Cave by a River, gouache $ 125 $ 145 Lucinda Parker, Portland, Or. 49 Abex Purple + Yellow, acrylic and rhoplex $ 500 J. Scott Patnode, Spokane, Wa. 50 Landscaped Window, acrylic K. Uhrich, Bellevue, Wa. 66 Time of the Honored Guest, acrylic $ 500 $ 300 Robert A. Urso, Bellingham, Wa. 67 untitled, mixed media $ 200 $ 250 Bob Van der Mey, N. Burnaby, B.C. 68 untitled , oil $ 750 Gene Vike, Bellingham, Wa. 69 A Serial with Black, oil on paper $ 200 Richard Molander, Bozeman, Mt. * 46 At Least Let Me Tell You What Colors I Used, acrylic Mark Pedersen, Corvallis, Or. * 51 Black Box I, plexiglas and cast resin John Petrucelli, Portland, Or. 52 Nuihaku No. 2 with chasm from Tithonius Lacus, acrylic, oil, rhoplex, ink on cotton duck $ 450 Michael C. Spafford, Seattle *65 Laocoon, oil (diptych) $2,500 �- ' < - PRICE - �Charles A. Visgatis, Corvallis, Or. 70 Baker's Banners, plastic Ken Wallace, Vancouver, B.C. *71 Instrument Approach, acrylic Mehri E. Walsh, Enumclaw, Wa. 72 Jack Van Zyck, acrylic Theodore Waltz, Portland , Or. *73 untitled , acrylic and oil $ 200 $ 500 $ 130 $ 650 Walter F. Wegner, Everson, Wa. 74 Pytho-lyre 5, welded steel $ 775 David E. West, Bellingham, Wa. 75 untitled, sheet metal (ground) $ 400 John Wharton, Seattle 76 Neonic, plexiglas and neon $ 650 James M. Widrig, Gig Harbor, Wa. 77 Landlesscape C7382, watercolor $ 250 Ron Wigginton, Seattle 78 Egyptian Moment, acrylic and dye $ 575 Thomas Willome, Moscow, Id. 79 Campagna, acrylic N.F.S. Don Wilson, Portland, Or. * 80 Interlocking Forms #4, stone N.F.S. Ted F. Wiprud, Corvallis, Or. 81 Glass No. 5, glass, mirror, resin $ 300 Dorothy Yezerski, Portland, Or. 82 Carmen's Cave, watercolor $ Richard A. Yoder, Eugene, Or. 83 Summerberry, oil $ 800 50 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fifty-ninth Annual Exhibition of Northwest Artists Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. 59th Annual Exhibition of Northwest Artists Fifty-ninth Northwest Annual Exhibition Checklist Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource Checklist for the 59th Annual Exhibit of Northwest Artists, held January 11 to February 24, 1974. Includes the jury of selection, The Charles and Esther Webster Prize winners, the Pacific Northwest Arts and Crafts Foundation Award winner, the Puget Sound Group of Northwest Painters Award winner, the West Seattle Art Club Katherine B. Baker Memorial Award winner,the Lambda Rho Alumni Inc. Award winner, and a list of honorable mentions. Jurors: Dana Boussard, John C. Denman, Lee Kelly, Robin Mayor, Max Peter Type The nature or genre of the resource text | image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant January 11 - February 24, 1974 Creator An entity primarily responsible for making the resource Seattle Art Museum Publisher An entity responsible for making the resource available Seattle Art Museum Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1974 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Modern Art Pavilion Northwest Annual Exhibition Seattle Art Museum Pavilion https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/935db8863da8a6a2ae0ded6f7c89a865.pdf?Expires=1773878400&Signature=TGVpGXDggHAzutUTgu%7E1sVKVdXvGMLYBpW9rckWfeDkiK%7Enaa-jnr4O%7Ex-LCt0mE75hyfrW7o8JTNcpCnnOkaUEvM0O1lKQNxvmJZ6J4toLOmOSEeBNZwmmZzUn0NhSu-aTEHmstxV15ykCRKsKtfiAjAPMPFRXjod7dzqhup8Hhwh2GguXdYDf3HGKhs5udDmbUrXKDtzAkz5uUw-ynvs8BPNP6hmDJxFjyE7gUhkuqkaGwEeLMzjNANNR5G1obs0ADVcSFwDLuBkW68A65V16b365oZDwa85EeiuP3emELyZ%7Enf8sU5HEf4HOzs6qvud7h7vziicRG13pYvYh93Q__&Key-Pair-Id=K6UGZS9ZTDSZM 6fdcdac92bcc9827fc5620b8c6032397 PDF Text Text HOPPE 58th ANNUAL EXHIBITION OF NORTHWEST ARTISTS SEATTLE ART MUSEUM PAVILION November 3 - December 10, 1972 �Jay Backstrand, Portland, Ore. Untitled #1-1972, oil $600 Lawrence Beck, Conway, Wash. 2 lnukshuk, cedar-aluminum $850 Phillip Behymer, Vancouver, Wash. 3 Whack, acrylic $800 George Bishop, Bellingham, Wash. 4 Northwest Stump Holder, welded steel and stump $400 Louis Bunce, Portland, Ore. 5 Doorway #2, oil $800 James Burford, Portland, Ore. 6 Cul-de-Sac Blue Print, oil $700 David Burns, Marysville, Wash. 7 After Shivas Dance, oil $400 Clifford D. Castle, Cheney, Wash. 8 Structure for an Active Impotent, mixed media and acrylic $100 Fred C. Cone, Bothell, Wash. 9 Be Awake to the Infinite Moments 0f All ... Being Dimensions of Creation They Are Works of Art . .. , plexiglas Michael Dailey, Seattle 10 Winter Beach, oil $1,400 Steven M. Doyle, Duvall, Wash. 11 Sandwich, oil $300 W. V. Dunning, Ellensburg, Wash. 12 Promise XX/, acrylic $250 Doris M. Esch, Everett, Wash. 13 Sea Garden, mixed media $175 Dennis E. Evans, Seattle 14 My Military Industrial Complex, ceramics-plexiglas-copper $250 Albert Fisher, Seattle 15 Genesis #16, lacquer $350 Margaret Ford, Seattle 16 Soft Top Box, earthenware Sheryl Funkhouser, Portland, Ore. 17 Untitled, acrylic on canvas-canvas collage James H. Garnett, Kirkland, Wash. 18 Field of Changes, plexiglas, electronic $75 $250 $1,000 GEISE �Jonn H. Geise, Seattle 19 Infinity Column, plexiglas, glass and electric Peter G. Giltner, Tacoma, Wash. 20 Datura, cast aluminum, canvas, sheet aluminum $1,500 $450 William Hoppe, Seattle 21 Tenebrae Service, acrylic N.F.S. Paul Horiuchi, Seattle 22 Garden of the Palace, collage $2,000 Evelyn Horton, Tacoma, Wash. 23 5/ 79 7923, oil $275 John Jay Jacobsen, Seattle 24 A Brown Cup, oil $250 R. Allen Jensen, Stanwood, Wash. 25 Process Painter #7, steel, wood, canvas $375 William A. Jones, Stanwood, Wash. 26 Inorganic City, aluminum and plastic $150 BUNCE Alfred J. Kober, Boise, Ida. 27 Oxy Mfg. Co. Inc., epoxy and welded steel $500 LaVerne Krause, Eugene, Ore. 28 Moving, acrylic $700 Alden Mason, Seattle 29 Garden Rocker-Burpee Garden Series, oil $900 Lucinda Parker McCarthy, Portland, Ore. 30 Certain Season, acrylic on canvas $400 Francis John Murphy, Seattle 31 Alphonso, oil Robert Price, Tacoma, Wash. 32 Untitled, acrylic Duwayne G. Rader, Portland, Ore. 33 Shanako Inflatable, acrylic lkune Sawada, Seattle 34 Winter Oaks, acrylic $1 ,500 on request $485 $1,000 Anthony Jay Schmid, Tacoma, Wash. 35 Sather Gate Shops, Berkeley, Calif., liquitex $500 Donald F. Schwager, Tacoma, Wash. 36 Untitled, wood, aluminum, plastic $300 DAILEY �Charles Scott, Bellingham, Wash. 37 Catalina, the Magic Isle, mixed media sculpture $110 Ronald Shelton, Redmond, Wash. 38 Stockton, California, oil $300 Jessica Corn Silk, Seattle 39 The True Stump Reliquary, ceramics $855 Marci Vitous, Olympia, Wash . 42 Genetic Line Poem; non-toxic petroleum distillates, ink $300 George T. Wray, Moscow, Idaho 43 Anthem, acrylic lacquer and neon Barbara Novak, Professor, Barnard University, New York $500 Glen R. Titus, Auburn, Wash . 41 Political Heritage, wood Brian O'Doherty, Editor, Art in America, and Director, Visual Arts Program, National Endowment for the Arts. $450 Scott Sonniksen, Portland, Ore. 40 Carmel Clock, rhoplex JURY $500 RECOMMENDED FOR PURCHASE CONSIDERATION Louis Bunce, Portland, Ore., Doorway #2, oil Michael Dailey, Seattle, Winter Beach, oil William Hoppe, Seattle, Tenebrae Service·, acrylic, purchased PACIFIC NORTHWEST ARTS AND CRAFTS FOUNDATION AWARD OF $300 in any media William Hoppe, Seattle, Tenebrae Service, acrylic MASON PUGET SOUND GROUP OF NORTHWEST PAINTERS AWARD OF $200 IN MEMORY OF EUSTACE P. ZIEGLER Alden Mason, Seattle, Garden Rocker-Burpee Garden Series, oil IRENE D. WRIGHT MEMORIAL AWARD OF $200: an annual award established by her husband, G. Alan Wright, given this year for sculpture Jonn H. Geise, Seattle, Infinity Column, plexiglas, glass and electric THE WEST SEATTLE ART CLUB KATHERINE B. BAKER MEMORIAL AWARD OF $100 for the work of an artist under forty years of age Michael Dailey, Seattle, Winter Beach, oil NORMAN DAVIS PURCHASE AWARD FOR SCULPTURE No sculpture accepted by the Jury met the qualifications for this award NORTHWEST ANNUAL PURCHASE FUND DONORS: Richard E. Fuller Lambda Rho Alumni, Inc. Northwest Watercolor Society � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fifty-eighth Annual Exhibition of Northwest Artists Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. 58th Annual Exhibition of Northwest Artists Fifty-eighth Northwest Annual Exhibition Checklist Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource Checklist for the 58th Annual Exhibit of Northwest Artists, held November 3 to December 10, 1972. Includes the jury of selection, list of items recommended for purchase, the Pacific Northwest Arts and Crafts Foundation Award winner, the Puget Sound Group of Northwest Painters Award winner, the Irene D. Wright Memorial Award winner, the West Seattle Art Club Katherine B. Baker Memorial Award winner, the Norman Davis Purchase Award winner, and the Northwest Annual Purchase Fund donors. Jurors: Brian O'Doherty, Barbara Novak Type The nature or genre of the resource text | image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant November 3 - December 10, 1972 Creator An entity primarily responsible for making the resource Seattle Art Museum Publisher An entity responsible for making the resource available Seattle Art Museum Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1972 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Modern Art Pavilion Northwest Annual Exhibition Seattle Art Museum Pavilion https://d1y502jg6fpugt.cloudfront.net/18833/archive/files/7f5e28504c3bbbdc6565ce6d9a3bb6c9.pdf?Expires=1773878400&Signature=gkGOMG0H5crxJ2v8GPWwBmwGYjibwVPlEjo3zxnsmMZA9VCJFLnSCFZT7ikLIecqnJwvnPwGCl0LRiSkQbjTOosQADy0v4xbAy-Jm88QER9vCZVAvakG3QNA%7EMEbY7ODB-K69srEqdcjQ4uK1W9aRWg1FqoudPY9y8LIUyKZ7Bs9yg-TS56oMRWaoyTcPbFDORRk9DWaCcE0GGnYz%7EOZ%7EhdIaUxTFbQ-2nCjdxBZi9kLXf6uOUkJMT5ym%7EXVAtPOwE2DcGXVbh2lZZxmRNlTAgsmRrLAg3CZXmlotsiS9JQcULZGHrHwzyQpuWLZ6p%7EcvyTLXiyrRku9sBbqfSnavg__&Key-Pair-Id=K6UGZS9ZTDSZM bbf1717ab7264b7b97d25b9c4664d92c PDF Text Text Fitzgerald S7th ANNUAL EXHIBITION OF NORTHWEST ARTISTS SEATTLE ART MUSEUM PAVILION October 22 - December 5, 1971 �Maria Frank Abrams, Mercer Island, Wash. Mercurial Life, casein Keith Achepohl, Sumner, Wash. 2 Conversation, oil ink wash Ron Adams, Seattle 3 Big Yellow Blink, acrylic Kathleen Gemberling Adkison, Spokane, Wash. 4 Fall Spent, oil Marc Aronson, Bellevue, Wash. 5 Aerolift Three, spray gun Ralph Baker, Eugene, Ore. 6 East Coulee Special, acrylic Donald James Barrie, Seattle 7 Blue River Bend, synthetic media Joan Bell-Irving, Vancouver, B.C. 8 Configuration I, acrylic on canvas 9 Marilyn Bergstrom, Bellevue, Wash. Untitled, collage Carson Boysen, Seattle 10 Cyclopod, cast aluminum 11 Wendell Brazeau, Seattle Nooshkum, acrylic Clint Brown, Corvallis, Ore. 12 Helmeted Man with Breathing Apparatus, mixed media Tom Cappuccio, Eugene, Ore. 13 Interior Landscape, acrylic Charles Causey, 11, Seattle 14 Untitled, spray paint and vinyl Doris Chase, Seattle 15 Forms to Change, plexiglass David M. Checkley, Seattle 16 Front Yard, waiercolor Elroy Christenson, Seattle 17 Untitled, acrylic on canvas Robert Coghill, Portland, Ore. 18 Horizon Driffter, mixed media $300 $750 $250 $1,500 $115 $500 $565 $250 $150 $1,500 $400 $850 $250 $175 $700 $500 $500 $500 Soboto �19 D. W. Colman, Seattle Among the Apparatus, acrylic 20 Judy Cooke, Portland, Ore. Le Cheval No. 12, cotton duck 21 The Face of Dawn, acrylics $500 Sally Hall Harris, Edmonds, Wash. 37 Acrylite Ill, 1971, acrylic mixed media $3,000 38 Virginia Hawkins, Silverdale, Wash. Mulberry Strip, collage 39 Terrence Hayward, Bellevue, Wash. Breakfast at Epiphanies, nacreous, fluorescent, acrylic pigment $3,500 40 Richard Heilner, Baker, Ore. The Miracle of Now, acrylic on canvas 41 State of the Union, oil 42 Untitled-#25, mi xed-dye-paint on fabric N.F.S. 43 Joan R. Henson, Vancouver, Wash. Transfiguration in Yellow, oil N.F.S. 44 Donald W . Hergert, Spokane, Wash. Red Moon Mist, acrylic $300 45 Simone Herriott, Seattle Mirror II, collage $250 46 Seattle Opera, acrylic 47 Another Time, Another Place, acrylic 48 The Essence of Blue & Red, collage $450 49 Lorraine Hostetter, Seattle Dialogue # 6, aluminum and painted plywood $100 50 Untitled, mixed media $300 $400 51 Jerome Jacobson, Seattle Closer Look at Earth, mixed media $550 John Hammack, Portland, Ore. 34 Solid State, oil $200 52 Untitled #8, neon $125 Jerry Hamons, Kennewick, Wash. 35 Rectangular Configuration #7, acrylic $500 53 James 8. Johnson, Seattle Untitled, canvas and wood $550 Robert J. Hanson, Portland, Ore. Some Unforgettable Persons, acrylic $195 Marjorie E. Cooley, Sunnyside, Wash. $150 $225 Marilyn Crockett, Tacoma, Wash. 22 Two Part Painting in Pinks and Softened Green, acrylic on linen $450 23 Southcoast, oil 24 Robert Deweese, Bozeman, Mont. My Father and His Two Gardeners, spray paint on xerox collage $300 25 The Fish, watercolor 26 Doris M. Esch, Everett, Wash. Relax & Enjoy, mixed media Michael Dailey, Seattle Marjorie Duryee, Everett, Wash. Fred Ewoldt, Federal Way, Wash. 27 Signs of Our Times: Gemini No. 1, acrylic 28 Jared M. Fitzgerald, Seattle Untitled, oil 29 Incoming Tide, acrylic 30 Mona Goldman, Vancouver, B.C. Aries, acrylic on canvas 31 Multiple XI, Group V, acrylic 32 R. T. Griffin, Pullman, Wash. Red Grid Ptg., acrylic, pencil 33 C. Louis Hafermehl, Seattle Guidepost to lrapa, oil 36 Clara Ford, Seattle Michael D. Green, Twin Falls, Idaho $1,100 $200 $250 $300 N.F.S. $150 $390 Karin Helmich, Seattle Marty Hendrick, Seattle William J. Hixson, Seattle Ronald T. W. Ho, Seattle Paul Horiuchi, Seattle Harold H. Hoy, Eugene, Ore. 8. Jaden, Tacoma, Wash. Thomas Johnston, Bellingham, Wash. 54 Skull in Box, watercolor $85 $750 $4,900 $600 N.F.S. $1,500 $300 N.F.S. �Robert C. Jones, Seattle W. Bruce Milletto, Woodinville, Wash. $800 73 San Francisco Peak, sculpture clay (hanging) 56 Hog Series #2, acrylic $400 74 Chris Kirk, Kirkland, Wash. 57 Untitled, lacquer on masonite $750 55 Untitled, oil Roger L. Jones, Seattle Dixie Klock, Tigard, Ore. 58 Untitled, acrylic Charles Krafft, Seattle 59 Beginners Mind: Tribute to Sesshu, ink 60 Betty Laduke, Ashland, Ore. Blue Horizon, acrylic 61 Virginia M. Lindahl, Seattle Tidal Tens ion and Void, acrylic 62 Norman Lundin, Seattle White Doe's Big Room, oil 63 Donald A. MacInnes, Seattle Seating Structure Ill, wood Kay D. Magnussen, Redmond, Wash. 64 A Woman Enslaved, acrylic 65 Thomas A. Martinell, Preston, Wash. Polly Turns On, acrylic Alden Mason, Seattle 66 Masked Head, oil-oil crayon-turpentine N.F.S. $300 $450 $50 $1,100 N.F.S. $200 $350 $500 Verne Mittelstadt, Seattle ~3, Al Mooser, Eugene, Ore. 75 untitled, vinyl flooring material David L. Moreland, Moscow, Idaho Monte Boyd Morrison, Gig Harbor, Wash. Emily Hall Morse, Bellevue, Wash. Spencer Moseley, Seattle 79 Big Duo, acrylic on canvas Lance Neal, Seattle 80 The Sound of Silence Tinkling, oil 81 John B. Northcutt, Seattle St. Louis Olive Street Blue, aluminum and neon Linda Okazaki, Pullman, Wash. 82 The Pop 5¢, mixed, acrylic, oil Ann O'Keefe, Bellevue, Wash. 83 Ten Times Ten, acrylic Steve Patchen, Seattle $500 85 Boxed Lunch, acrylic 71 Bob Mellor, Redmond, Wash. The Green Horny, acrylics on flberglas / PVC foam panel 72 Charles Miller, Seattle Union River, watercolor D. C. Patha, Seattle Don Paulson, Seattle N.F.S. 86 Tines, tempera $1,200 87 Octave, acrylic and oil $500 N.F.S. $756 78 Sands of Time, collage-oil and casein on paper on canvas Jeffrey Scott McCash, Spokane, Wash. 68 Banded Circle Series Set I, acrylics Jerry McDowell, Seattle $500 77 Alpha Right 1971, mixed acrylic $200 70 In the Beginning, acrylic $1,500 76 Self-Un-Portrait, oil 84 Untitled, acrylic Paul McCaskill, Bremerton, Wash. $400 acry I"1c Lucinda Parker McCarthy, Portland, Ore. 67 Tasmanian Landscape, acrylic 69 lnnerlight, mixed media $175 Douglas D. Payson, Seattle Martha Pedersen, Portland, Ore. 88 Civilization, acrylic Walt Price, Snohomish, Wash. 89 Bunk House Kitchen, watercolor $450 $800 $2,250.75 $225 $350 $200 $900 $600 $500 $250 $250 $165 �90 Polly Rawn, Seattle Traveling Sweet, oil $300 91 John S. Reeve, Bellevue, Wash. Goober, ceramic $150 92 Jeffrey Romanelli, Seattle Study of Simple Proportions, 7/2/3/4/5/6/7/8/9/70, masonite and acrylic $235 93 lkune Sawada, Seattle Okanogan, oil on paper $285 94 Anthony Jay Schimd, Tacoma, Wash. Autocross Portrait, Porsche Speedster, acrylic $300 95 Myrna Shenkler, Kennewick, Wash. I, In My Intricate Image, acrylic on canvas $400 96 Charles F. Smith, Boise, Idaho Number 6, mixed media $150 97 James H. Sobota, Seattle Storage Yard, watercolor 98 Clifford Sorensen, Spokane, Wash. Column Lanes, acrylic $500 99 Gory South, Pullman, Wash. Moon Gate, wood $150 N.F.S. 100 Jerry Stitt, Seattle Tumult, watercolor 101 Celia Stobie, Fall City, Ore. Nebraska Aerial Landscape, oil 102 Charles Stokes, Seattle Soft Invasion, watercolor $650 103 LaDeane Tate, Bremerton, Wash. Parade of Landscapes, acrylic $475 104 George Thomas, Bellingham, Wash . Right Off, oak and petrified wood $175 105 Radford Thomas, Cheney, Wash. Earth Series: Voyage, watercolor $600 106 William Toney, Portland, Ore. 28 Aug 71, acrylic $300 $195 $75 Johnston �107 JUROR Brian Travers-Smith, Victoria, B.C. Business and Pleasure, watercolor on paper N.F.S. Jay Tronsdale, Tacoma, Wash. 108 The Coming of Lebra, acrylic $250 109 Deirdre Tucker, Port Angeles, Wash. Winter Pond, acrylic $125 110 E. E. Ulman, Enumclaw, Wash. Rock Pit, oil and collage $300 111 Untitled, oil Robert G. Vadset, Seattle N.F.S. plus foam John Vlahovich, Tacoma, Wash. 113 18, mixed media 114 $200 Theodore J. Waddell, Arlee, Mont. 115 Number 16-1971, stainless steel $500 Jerry B. Walker, Portland, Ore. 116 4-Way Dual Quad Triple Cross Pitch, acrylic on canvas T. C. Warren, Bellingham, Wash. 117 Narrow Corridor to the Bronze Age, acrylic-collage Dick Weiss, Everett, Wash. 118 Senator Henry M. Jackson, acrylic John Wharton, Seattle 119 Prism Prop, plexiglass and glass Frank Wieditz, Seattle 120 Untitled, acrylic/flberglas 121 Lucinda Wilner, Bellingham, Wash. Monkeyshines, oil Nancy Wilson, Portland, Ore. 122 Temenos I, dutch plaster and oil $600 $200 Lynn R. Votaw, Seattle Black Trout of the Family, acrylic on canvas RECOMMENDED FOR PURCHASE CONSIDERATION Jared M. Fitzgerald, Seattle, Untitled, oil, purchased Donald W. Hergert, Spokane, Wash., Red Moon Mist, acrylic Thomas Johnston, Bellingham, Wash., Skull in Box, watercolor, purchased James H. Sobota, Seattle, Storage Yard, watercolor, purchased John Wharton, Seattle, Prism Prop, plexiglass and glass James E. Van Patten, Monmouth, Ore. 112 Hear The Wind Blow, plywood and rayon (wood derivative) Gerald Nordland, Director, San Francisco Museum of Art PACIFIC NORTHWEST ARTS AND CRAFTS FOUNDATION AWARD OF $300 in any medium Richard Heilner, Baker, Ore., The Miracle of Now, acrylic PUGET SOUND GROUP OF NORTHWEST PAINTERS AWARD OF $200 IN MEMORY OF EUSTACE P. ZIEGLER Karin Helmich, Seattle, State of the Union, oil $445 IRENE D. WRIGHT MEMORIAL AWARD OF $200: an annual award established by her husband, G . Alan Wright, given this year for painting $350 Sally Hall Harris, Edmonds, Wash., Acrylite Ill, 1971, acrylic mixed $150 $650 $300 Price on request $350 THE WEST SEATTLE ART CLUB KATHERINE B. BAKER MEMORIAL AWARD OF $100 for the work of an artist under forty years of age Don Paulson, Seattle, Tines, tempera NORMAN DAVIS PURCHASE AWARD FOR SCULPTURE No sculpture accepted by the Juror met the qualifications for this award NORTHWEST ANNUAL PURCHASE FUND DONORS: Richard E. Fuller Lambda Rho Alumni, Inc. Northwest Watercolor Society � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Northwest Annual Exhibition and the Seattle Art Museum Contributor An entity responsible for making contributions to the resource Brynn Strader Creator An entity primarily responsible for making the resource Seattle Art Museum | Art Institute of Seattle | Seattle Fine Arts Society Source A related resource from which the described resource is derived Seattle Art Museum Libraries Publisher An entity responsible for making the resource available Seattle Art Museum Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1914-1977 Format The file format, physical medium, or dimensions of the resource application/pdf; image/tiff Language A language of the resource English Type The nature or genre of the resource text | image Subject The topic of the resource Seattle Art Museum--Exhibitions Art, American--Northwest, Pacific--20th century--Exhibitions Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fifty-seventh Annual Exhibition of Northwest Artists Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. 57th Annual Exhibition of Northwest Artists Fifty-seventh Northwest Annual Exhibition Checklist Subject The topic of the resource Seattle Art Museum--Exhibitions | Art, American--Northwest, Pacific--20th century--Exhibitions Description An account of the resource Checklist for the 57th Annual Exhibit of Northwest Artists, held October 22 to December 5, 1971. Includes the jury of selection, list of items recommended for purchase, the Pacific Northwest Arts and Crafts Foundation Award winner, the Puget Sound Group of Northwest Painters Award winner, the Irene D. Wright Memorial Award winner, the West Seattle Art Club Katherine B. Baker Memorial Award winner, the Norman Davis Purchase Award winner, and the Northwest Annual Purchase Fund donors. Juror: Gerald Nordland Type The nature or genre of the resource text | image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant October 22 - December 5, 1971 Creator An entity primarily responsible for making the resource Seattle Art Museum Publisher An entity responsible for making the resource available Seattle Art Museum Contributor An entity responsible for making contributions to the resource Seattle Art Museum Rights Information about rights held in and over the resource These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions Date A point or period of time associated with an event in the lifecycle of the resource 1971 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Source A related resource from which the described resource is derived Seattle Art Museum Libraries Modern Art Pavilion Northwest Annual Exhibition Seattle Art Museum Pavilion