Teapot (<em>théière lizonnée à relief</em>) and Cup (<em>gobelet lizonné à relief sans soucoupe</em>)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century | Ceramic teapots—France—18th century | Drinking cups—France—18th century | Teacups—France—18th century | Gilding—France—18th century | Relief (Decorative arts)—France—18th century | Flowers in art | Buteux, Charles—Pictorial works
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | teapots | cups (drinking vessels) | gilding-technique | porcelain painting (image-making) | relief (sculpture techniques) | floral patterns | flower (motif)
35mm color slide of a white teapot and cup (Sèvres Porcelain Manufactory). Each is adorned with blue painted flowers and white flowers in relief. Dawson describes this décor as “molded in relief with prunus” and notes that the prunus decoration “is based on Chinese eighteenth-century porcelain from Fukein province” (Dawson 1994, 85). Both have a gilt dentil rim. The teapot has a painter’s mark for Charles Buteux, known as Buteux <em>père</em> or <em>aîné</em> (the elder) (1719–82, active 1756–82), a painter and gilder, whose mark was an anchor. He specialized in trophies and attributes (Savill 1988, 3:1007–1009; Eriksen and De Bellaigue 1987, 154 no. 200, 173n200; Tardy 1981, 530). The number 23 is handwritten on the slide.
<br />Find more details on Buteux and painters’ marks in the <a href="https://samlibraries.omeka.net/exhibits/show/fritzsche-porcelain-collection/home">Fritzsche Porcelain Exhibit</a>.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
1758 (date of object)
March 1980 (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
<p>From Dr. Fritzsche’s Collector’s Notes: “Both of our pieces had repairs done. ‘Gobelet’ still with us” (Dr. Ulrich Fritzsche, “Ulrich and Stella Fritzsche Collection of Vincennes–Sèvres Porcelain,” unpublished manuscript, Seattle Art Museum Library Archives, 2018). The complete Collector’s Notes are available for viewing <a href="https://samlibraries.omeka.net/items/show/2991">here</a>.</p>
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Marks for Teapot (<em>théière lizonnée à relief</em>, slide 23)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century | Ceramic teapots—France—18th century | Drinking cups—France—18th century | Porcelain—Marks | Buteux, Charles—Pictorial works
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | teapots | cups (drinking vessels) | porcelain marks
35mm color slide of two porcelain marks for the teapot and cup in Slides 23a and 23b. The painter’s mark on the teapot is for Charles Buteux, known as Buteux <em>père</em> or <em>aîné</em> (the elder) (1719–82, active 1756–82), a painter and gilder, whose mark was an anchor. He specialized in trophies and attributes (Savill 1988, 3:1007–1009; Eriksen and De Bellaigue 1987, 154 no. 200, 173n200; Tardy 1981, 530).
<br />Find more details on Buteux and painters’ marks in the <a href="https://samlibraries.omeka.net/exhibits/show/fritzsche-porcelain-collection/home">Fritzsche Porcelain Exhibit</a>.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
1758 (date of object)
March 1980 (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
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Filename: Fritzsche_Slide_23_Mark.jpg
Two Plates with Green Ribands (<em>assiettes à rubans verts</em>)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century | Plates (Tableware)—France—18th century | Gilding—France—18th century | Decoration and ornament—Plant forms—France—18th century | Flowers in art | Plants in art | Taillandier, Vincent—Pictorial works
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | decorative plates | plates (general, dishes) | porcelain painting (image-making) | gilding-technique | flower (motif) | floral patterns | plant-derived motifs
35mm color slide of two plates (Sèvres Porcelain Manufactory). Each plate has a white ground color, encircled by a broad ribbon of gilt-trimmed green, known as a “green riband” (<em>ruban vert</em>). Within the curves of the ribbon are festoons of painted, multi-colored flowers. The edges of the plate are adorned with gilt foliage. At the center of the white ground is a small bouquet of colorful flowers. These plates are very similar to the design in “Plate with Green Ribands” (<em>assiette à rubans verts</em>, slide 19), but these are adorned with a single green band, in contrast to the two interwoven bands in 19. This green riband design is also found on “Knife Handle with Green Ribands (<em>manche de couteau, à décor rubans verts à pois d’or</em>, slide 18). It is possible that these plates were part of a dinner service belonging to Madame de Pompadour (Fritzsche 2018). The plates have a painter’s mark for Vincent Taillandier (1736–90; active 1753–90), a “painter, gilder, and burnisher” (Savill 1988, 3:1068; Eriksen and De Bellaigue 1987, 154 no. 192, 173n192). The number 24 is handwritten on the slide.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
1759 (date of object)
September 1982 (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
From Dr. Fritzsche’s Collector’s Notes: “After doing exhaustive research I became convinced that these plates probably once were part of a dinner service belonging to Madame de Pompadour: a) According to his ‘Livre Journal,’ Lazare Duvaux sold ‘six assiettes à rubans verts...’ no. 3073, Mach 13, 1758, to Madame de Pompadour. b) In the ‘Inventaire des Biens de Madame de Pompadour rédige après son décès, no. 705 ... six assiettes, bord à rubans vert,’ are listed among other items, no. 688, 696, 708, with similar decoration. c) 1777, at the Randon de Boissset sale ‘six assiettes fond blanc à rubans verts et à roses colores’ re-appear. Same set?” (Dr. Ulrich Fritzsche, “Ulrich and Stella Fritzsche Collection of Vincennes–Sèvres Porcelain,” unpublished manuscript, Seattle Art Museum Library Archives, 2018). The complete Collector’s Notes are available for viewing <a href="https://samlibraries.omeka.net/items/show/2991">here</a>.
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Mark for Teapot (<em>théière à litron</em>)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century | Ceramic teapots—France—18th century | Porcelain—Marks | Taillandier, Vincent—Pictorial works
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | teapots | porcelain marks
35mm color slide of a porcelain mark. The mark is for Vincent Taillandier (1736–90; active 1753–90), a “painter, gilder, and burnisher” (Savill 1988, 3:1068; Eriksen and De Bellaigue 1987, 154 no. 192, 173n192). The number 25 is handwritten on the slide.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
1759 (date of object)
July 1986 (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
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Filename: Fritzsche_Slide_25_Mark.jpg
Tray (<em>plat long uni</em>)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century | Platters—France—18th century | Painted trays—France—18th century | Gilding—France—18th century | Decoration and ornament—Plant forms—France—18th century | Plants in art | Thévenet, Louis-Jean—Pictorial works
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | trays | platters | porcelain painting (image-making) | gilding-technique | plant-derived motifs
35mm color slide of a tray (Sèvres Porcelain Manufactory). Against a white ground color are paintings of intertwined foliage at the center and along the gilded, scalloped edges. The tray has the painter’s mark for Louis-Jean Thévenet, also known as Thévenet <em>père</em> (the elder; b. 1707–d. after 1778; active 1741–1777), who was one of the “most skilled flower-painters” of his era (Eriksen and De Bellaigue 1987, 96; dates from Savill 1988, 3:1071). The number 26 is handwritten on the slide.
<br />Find more details on Thévenet and painters’ marks in the <a href="https://samlibraries.omeka.net/exhibits/show/fritzsche-porcelain-collection/home">Fritzsche Porcelain Exhibit</a>.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
1760 (date of object)
20th century (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
<p>From Dr. Fritzsche’s Collector’s Notes: “Bought from Ruth Berges, Antiques, New York” (Dr. Ulrich Fritzsche, “Ulrich and Stella Fritzsche Collection of Vincennes–Sèvres Porcelain,” unpublished manuscript, Seattle Art Museum Library Archives, 2018). The complete Collector’s Notes are available for viewing <a href="https://samlibraries.omeka.net/items/show/2991">here</a>.</p>
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Square Openwork Tea Service (<em>déjeuner carré à jour</em>)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century | Drinking cups—France—18th century | Tea trays—France—18th century | Painted trays—France—18th century | Gilding—France—18th century | Landscapes on porcelain—France—18th century | Decoration and ornament—Plant forms—France—18th century | Flowers in art | Plants in art | Trees in art | Architecture in art | Thévenet, Louis-Jean—Pictorial works
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | trays | tea trays | cups (drinking vessels) | porcelain painting (image-making) | gilding-technique | piercing | landscapes (representations) | flower (motif) | floral patterns | trees | plant-derived motifs
35mm color slide of a tea (or coffee) service consisting of a square tray and matching cup (Sèvres Porcelain Manufactory). The cup’s rim is gilded with a dentil pattern. Both tray and cup are decorated with small blue-and-white vignettes, featuring fragments of architectural scenes and trees, inside heart-shaped frames of gilt, stylized foliage. The center of the tray has a shaped white reserve, painted with multi-colored festoons of flowers. The tray has a distinctive openwork structure; it is known as a <em>plateau carré à jour</em> (square openwork tray), a type of tray first produced in 1757 and characterized by a deep rim pierced with Vitruvian scrolls and bellflowers (Savill 1988, 2:491, 2:585; Sassoon 1991, 36). Eriksen and De Bellaigue regard this use of scrolls as “one of the first unmistakable signs of the incipient classical revival at Sèvres” (1987, 306 no. 118). Both tray and cup have a painter’s mark for Louis-Jean Thévenet, also known as Thévenet <em>père</em> (the elder; b. 1707–d. after 1778; active 1741–1777), who was one of the “most skilled flower-painters” of his era (Eriksen and De Bellaigue 1987, 96; dates from Savill 1988, 3:1071). The number 27 is handwritten on the slide.
<br />See the <a href="https://samlibraries.omeka.net/exhibits/show/fritzsche-porcelain-collection/home">Fritzsche Porcelain Exhibit</a> for more details on this tray, Vitruvian scrolls, Thévenet, and porcelain painters’ marks.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
1761 (date of object)
20th century (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
<p>From Dr. Fritzsche’s Collector’s Notes: “Provenance: The collection of Édouard Chappey; the collection of Paul Gémeau, no. 89, Hotel Drouot in Paris, 1938…. We acquired the set from Mme. Polles, Paris” (Dr. Ulrich Fritzsche, “Ulrich and Stella Fritzsche Collection of Vincennes–Sèvres Porcelain,” unpublished manuscript, Seattle Art Museum Library Archives, 2018). The complete Collector’s Notes are available for viewing <a href="https://samlibraries.omeka.net/items/show/2991">here</a>.</p>
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Mark for Square Openwork Tea Service (<em>déjeuner carré à jour</em>, slide 27)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century| Drinking cups—France—18th century | Tea trays—France—18th century | Painted trays—France—18th century | Porcelain—Marks | Thévenet, Louis-Jean—Pictorial works
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | trays | tea trays | cups (drinking vessels) | porcelain marks
35mm color slide of a porcelain mark for the tray and cup in Slide 27 (Sèvres Porcelain Manufactory). The mark is for Louis-Jean Thévenet, also known as Thévenet <em>père</em> (the elder; b. 1707–d. after 1778; active 1741–1777), who was one of the “most skilled flower-painters” of his era (Eriksen and De Bellaigue 1987, 96; dates from Savill 1988, 3:1071). The number 27 is handwritten on the slide.
<br />Find more details on Thévenet and painters’ marks in the <a href="https://samlibraries.omeka.net/exhibits/show/fritzsche-porcelain-collection/home">Fritzsche Porcelain Exhibit</a>.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
1759 (date of object)
March 1980 (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
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English | French
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Filename: Fritzsche_Slide_27_Mark.jpg
Calabre Teapot (<em>théière Calabre</em>)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century | Ceramic teapots—France—18th century | Gilding—France—18th century | Birds in art | Trees in art | Chappuis, Antoine-Joseph—Pictorial works
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | teapots | gilding-technique | porcelain painting (image-making) | trees | Aves (class)
35mm color slide of a Calabre teapot (Sèvres Porcelain Manufactory). The <em>théière Calabre</em> (Calabre teapot) was named in honor of Pierre Calabre, one of the factory’s shareholders, and later became “the most commonly made of all Sèvres teapots” (Dawson 1994, 101). This teapot has an unusual design, known as <em>rose marbré</em> (marbled pink): an overall pink ground color is overlaid with jagged lightning-bolts of textured gilding bordered in blue of varying tints, creating a dynamically marbled effect. At the center is a shaped white reserve with a brilliantly colored blue-and-red bird perched in a tree. The object is described in a Christie’s sale: “Oviform with ranunculus finial, loop handle and angled spout…. Given its rare small size, the present teapot would likely have formed part of a solitaire, matched with a cup and saucer on a small tray” (2010, no. 5353601). Fritzsche (2018) notes that this teapot is from the collection of Count Henry Costa de Beauregard, at whose house Marcel Proust was a frequent guest. On the bottom is the painter’s mark for Antoine-Joseph Chappuis, known as Chappuis <em>aîné</em> (the elder; 1743–87; active 1756– or 1761–87), who specialized in birds, landscapes, and flowers (Savill 1988, 3:1018–20; Tardy 1981, 532; Eriksen and De Bellaigue 1987, 158). The number 28 is handwritten on the slide.
<br />See the <a href="https://samlibraries.omeka.net/exhibits/show/fritzsche-porcelain-collection/home">Fritzsche Porcelain Exhibit</a> for more details on marbled pink décor, Calabre teapots, Chappuis, and porcelain marks.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
1761 (date of object)
July 1986 (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
<p>From Dr. Fritzsche’s Collector’s Notes: “Our little teapot appeared twice since we sold it: a) May 19, 2004, Christie’s, New York, pictured, no. 80, it brought $10,158. b) Six years later, October 22, 2010, no. 619, pictured, Christie’s, New York. It fetched $11,875.00. For the latter sale I provided additional provenance information for their catalogue” (Dr. Ulrich Fritzsche, “Ulrich and Stella Fritzsche Collection of Vincennes–Sèvres Porcelain,” unpublished manuscript, Seattle Art Museum Library Archives, 2018). The complete Collector’s Notes are available for viewing <a href="https://samlibraries.omeka.net/items/show/2991">here</a>.</p>
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Mark for Calabre Teapot (<em>théière Calabre</em>, slide 28)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century | Ceramic teapots—France—18th century | Porcelain—Marks | Chappuis, Antoine-Joseph—Pictorial works
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | teapots | porcelain marks
35mm color slide of a porcelain mark for the Calabre teapot in Slide 28. This is the painter’s mark for Antoine-Joseph Chappuis, known as Chappuis <em>aîné</em> (the elder; 1743–87; active 1756– or 1761–87), who specialized in birds, landscapes, and flowers (Savill 1988, 3:1018–20; Tardy 1981, 532; Eriksen and De Bellaigue 1987, 158). The number 28 is handwritten on the slide.
Find more details on Chappuis and painters’ marks in the <a href="https://samlibraries.omeka.net/exhibits/show/fritzsche-porcelain-collection/home">Fritzsche Porcelain Exhibit</a>.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
1761 (date of object)
July 1986 (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
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Filename: Fritzsche_Slide_28_Mark.jpg
Litron Cup and Saucer (<em>gobelet litron et soucoupe</em>)
LCSH: Porcelain, French—18th century—Pictorial works | Porcelain, French—Private collections | Porcelain, French—Sèvres—18th century—Slide collections | Sèvres porcelain—18th century—Pictorial works | Slides (Photography)—Private collections | Fritzsche, Ulrich—Art collections—Pictorial works | Ceramic tableware—France—18th century | Drinking cups—France—18th century | Gilding—France—18th century | Decoration and ornament—Plant forms—France—18th century | Flowers in art
<br />Getty AAT keywords: porcelain (material) | porcelain (visual works) | dinnerware | saucers (plates) | cups (drinking vessels) | porcelain painting (image-making) | gilding-technique | flower (motif) | floral patterns | plant-derived motifs
35mm color slide of a litron cup and saucer (Sèvres Porcelain Manufactory). The cup and saucer both have a blue ground decorated with stylized white bellflowers and other undulating designs, trimmed with gilding. The cup is an example of a <em>gobelet litron</em> (litron cup), which has a distinctive, straight-sided, cylindrical shape, and was the most common form of teacup produced at the Sèvres factory. The mark on the cup is believed to be that of Fallot (active 1764–90), a “ground color worker, painter, gilder, burnisher, and enameller,” who is particularly known for inventing the special blue ground color called <em>bleu Fallot</em> (Savill 1988, 3:1032; Eriksen and De Bellaigue 1987, 153 no. 43). The number 29 is handwritten on the slide.
<br />Find more on the litron cup and <em>bleu Fallot </em>in the <a href="https://samlibraries.omeka.net/exhibits/show/fritzsche-porcelain-collection/home">Fritzsche Porcelain Exhibit</a>.
Fritzsche, Ulrich (creator of slide); D’Arms, Ted (photographer); Sèvres Porcelain Manufactory (creator of object)
Dr. Ulrich and Stella Fritzsche Collection
Seattle Art Museum Libraries
ca. 1764 (date of object)
October 1983 (date of slide)
Painter, Kirsten Blythe
These materials may be protected under copyright law and may only be used for educational, teaching, and learning purposes. If intended use is beyond these purposes, it is the sole responsibility of the user to obtain the appropriate copyright permissions.
<p>From Dr. Fritzsche’s Collector’s Notes: “blue letter .F. letter possibly mark for painter Fallot, no.14, pictured, Christie’s, April 7, 1983” (Dr. Ulrich Fritzsche, “Ulrich and Stella Fritzsche Collection of Vincennes–Sèvres Porcelain,” unpublished manuscript, Seattle Art Museum Library Archives, 2018). The complete Collector’s Notes are available for viewing <a href="https://samlibraries.omeka.net/items/show/2991">here</a>.</p>
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