35mm color slide of a porcelain mark for the plate in Slide 59. The mark is for Charles-Nicolas Dodin (1734–1803; active 1754–1802), a painter whose “meticulous technique” was “unrivalled” at the porcelain factory (Savill 1988, 3:1029–30). The number…
35mm color slide of a porcelain mark on the plate in Slide 8. The mark is composed of a pair of blue, interlaced Ls (one facing forward, the other reversed), which represents the French royal monogram, and corresponds to the factory mark for…
35mm color slide of a porcelain mark on the mustard-pot tray in Slide 14. The mark is for Mutel, a “painter of landscapes” (b. approx. 1734, active 1754–59, 1765–66, 1771–73; see Tardy 1981, 556; Eriksen and De Bellaigue 1987, 174, 259). The number…
35mm color slide of a porcelain mark for the litron cup and saucer in Slides 58a–c. The mark is for Charles-Nicolas Dodin (1734–1803; active 1754–1802), a painter whose “meticulous technique” was “unrivalled” at the porcelain factory (Savill 1988,…
35mm color slide of a porcelain mark for the litron cup in Slide 29. This is believed to be the mark for Fallot (active 1764–90), a “ground color worker, painter, gilder, burnisher, and enameller,” who is particularly known for inventing his own…
35mm color slide of porcelain marks for the liqueur decanter cooler in Slide 49a: a mark for Pierre aîné (the elder; active 1759–75), and a hatchet mark, which is the painter’s mark for Pierre-Joseph Rosset (active 1753–90). (See Tardy 1981, 559,…
35mm color slide of a porcelain mark for the Calabre teapot in Slide 28. This is the painter’s mark for Antoine-Joseph Chappuis, known as Chappuis aîné (the elder; 1743–87; active 1756– or 1761–87), who specialized in birds, landscapes, and flowers…
35mm color slide of porcelain marks for the bowl in Slide 50. The marks are for Philippe Castel (active 1772–1797), a painter of birds, ornaments, and landscapes, and for Henri-Martin Prévost (active 1757–97), a gilder (Eriksen and De Bellaigue 1987,…
35mm color slide of a porcelain mark for a Bouillard cup and saucer. The mark is for Jean-Baptiste Tandart aîné (the elder; 1729–1816, active 1754–1800 or 1803), who was one of the “most skilled flower-painters” of his era (Eriksen and De Bellaigue…